Progressive
10.0
Spirit
(2018)
Political: Center
Diversity: Not Rated
Le Business et la Mode (1962)
Le Business et la Mode (1962)
Overview
Often imitated, the creations of French couturiers caused a sensation across the Atlantic, but perhaps to the detriment of haute couture... The presentation of Yves Saint-Laurent, the darling of Americans, and the interviews with clients and industrialists highlight the links between ready-to-wear in the United States and French fashion.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Leans Left
Diversity: Moderate
Viewer Rating
Not Rated
Overview
Often imitated, the creations of French couturiers caused a sensation across the Atlantic, but perhaps to the detriment of haute couture... The presentation of Yves Saint-Laurent, the darling of Americans, and the interviews with clients and industrialists highlight the links between ready-to-wear in the United States and French fashion.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film critically examines the commercial aspects of the fashion industry, highlighting themes of consumerism and superficiality, which aligns with left-leaning critiques of capitalism and media influence.
The film features predominantly traditional casting without explicit DEI-driven character changes. Its satirical narrative critiques the fashion industry and its practices, rather than explicitly focusing on or negatively portraying traditional identities or specific DEI themes.
Secondary
Based on the available information, 'Le Business et la Mode' does not present any identifiable LGBTQ+ characters or themes. Consequently, its portrayal of LGBTQ+ elements is rated as N/A, indicating an absence of relevant content for evaluation under the provided rubric.
Based on the information provided, the film 'Le Business et la Mode' does not contain identifiable transsexual characters or themes. Consequently, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
Le Business et la Mode is an original film by William Klein. It does not adapt pre-existing source material with established characters, nor does it feature historical figures or reboot legacy characters. Therefore, no characters could have undergone a gender swap.
This is a documentary film from 1962 about the fashion industry. Documentaries feature real people as themselves, rather than fictional characters or actors portraying historical figures from established source material. Therefore, the concept of a 'race swap' as defined does not apply.
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