7.2
Viewer Rating
Combines user and critic ratings from four sources
Lover Come Back (1961)
Lover Come Back (1961)
Overview
Jerry Webster and Carol Templeton are rival Madison Avenue advertising executives who each dislike each other’s methods. After he steals a client out from under her cute little nose, revenge prompts her to infiltrate his secret "VIP" campaign in order to persuade the mystery product’s scientist to switch to her firm.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
7.2
Overview
Jerry Webster and Carol Templeton are rival Madison Avenue advertising executives who each dislike each other’s methods. After he steals a client out from under her cute little nose, revenge prompts her to infiltrate his secret "VIP" campaign in order to persuade the mystery product’s scientist to switch to her firm.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central focus on romantic comedy and individual ethics within a corporate setting, without engaging in systemic critiques or promoting specific political ideologies, positions it as politically neutral. The narrative's resolution emphasizes personal honesty and love, rather than any particular political agenda.
This 1961 romantic comedy features a predominantly white cast, consistent with the era's mainstream productions, and does not include intentional race or gender swaps of traditional roles. The narrative focuses on romantic and corporate rivalries without critiquing traditional identities or explicitly incorporating modern DEI themes.
Secondary
Lover Come Back is a 1961 romantic comedy that centers on the competitive and romantic entanglements of two advertising executives. The film's narrative exclusively explores heterosexual relationships and professional dynamics, with no discernible depiction or exploration of LGBTQ+ characters or themes.
The film 'Lover Come Back' (1961) is a romantic comedy that does not feature any identifiable transsexual characters or themes. Its narrative focuses on advertising executives and romantic misunderstandings, with no elements related to transgender identity.
The movie does not contain any action or adventure elements.
Lover Come Back (1961) is an original film with characters created specifically for its screenplay. There are no pre-existing source materials, historical figures, or prior installments from which characters' genders could have been established and subsequently altered.
Lover Come Back (1961) is an original screenplay, not an adaptation of existing material or a historical depiction. The characters were created for this film, thus lacking a pre-established canonical or historical race to be altered.
Viewer Rating Breakdown
User Ratings
7.1
6.9
Critic Ratings
9.1
5.8
More Like This
Leans Traditional
6.5
Send Me No Flowers
(1964)
Political: Center
Diversity: Low
Traditional
7.8
Pillow Talk
(1959)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Move Over, Darling
(1963)
Political: Center
Diversity: Low
Leans Traditional
6.7
Man's Favorite Sport?
(1964)
Political: Center
Diversity: Low
Leans Traditional
7.4
Come September
(1961)
Political: Center
Diversity: Low
Leans Traditional
7.1
Romance on the High Seas
(1948)
Political: Center
Diversity: Low
Traditional
7.0
White Christmas
(1954)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
Licorice Pizza
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.4
Christmas in Connecticut
(1945)
Political: Center
Diversity: Low
Traditional
8.2
Forrest Gump
(1994)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
In Good Company
(2004)
Political: Center
Diversity: Low
Traditional
8.2
The Quiet Man
(1952)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
An American in Paris
(1951)
Political: Center
Diversity: Low
Leans Traditional
6.8
Definitely, Maybe
(2008)
Political: Center
Diversity: Low
Leans Traditional
7.1
Tom Jones
(1963)
Political: Center
Diversity: Low
Leans Traditional
7.0
Viva Las Vegas
(1964)
Political: Center
Diversity: Low
Traditional
8.3
Ninotchka
(1939)
Political: Strong Right
Diversity: Low
Leans Traditional
8.3
The Princess Bride
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.7
Knocked Up
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.6
Guys and Dolls
(1955)
Political: Center
Diversity: Low