6.1
Viewer Rating
Combines user and critic ratings from four sources
Mandalay (1934)
Mandalay (1934)
Overview
Abandoned by her lover, a woman becomes the main "hostess" in a decadent nightclub, but tries to put her past behind her on a steamer to Mandalay.
Starring Cast
Where to watch
HBO MaxRating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.1
Overview
Abandoned by her lover, a woman becomes the main "hostess" in a decadent nightclub, but tries to put her past behind her on a steamer to Mandalay.
Starring Cast
Where to watch
HBO MaxDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central focus on individual survival and moral ambiguity within a pre-Code melodrama context prevents it from aligning with a specific political ideology, leading to a neutral rating.
The movie features a predominantly white cast in its leading roles, consistent with Hollywood productions of its era, without intentional race or gender swaps for DEI purposes. Its narrative focuses on personal drama and romance, offering no explicit critique of traditional identities or central DEI themes.
Secondary
Mandalay (1934) does not contain any explicit or implicitly identifiable LGBTQ+ characters or themes within its narrative. The story focuses on heterosexual relationships and dramatic events without engaging with queer identities.
The film "Mandalay" (1934) does not feature any identifiable transsexual characters or themes. Its narrative focuses on melodrama, romance, and crime in a colonial setting, without engaging with transgender identity or experiences.
The movie does not contain any action or adventure elements.
Mandalay (1934) is an original film, not an adaptation or a reboot of existing material. All characters were created for this film, meaning there is no prior canon or historical record from which a character's gender could have been swapped.
Mandalay (1934) is an original film production, not an adaptation of existing source material, a biopic, or a reboot. Therefore, no characters had a previously established race to be altered.
Viewer Rating Breakdown
User Ratings
6.6
5.6
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
6.9
Francis of Assisi
(1961)
Political: Center
Diversity: Low
Traditional
6.7
The Charge of the Light Brigade
(1936)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
Young Man with a Horn
(1950)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.3
Mildred Pierce
(1945)
Political: Center
Diversity: Low
Traditional
7.9
Little Caesar
(1931)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
State and Main
(2000)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
6.9
Scrooge
(1970)
Political: Leans Right
Diversity: Low
Traditional
7.6
His Only Son
(2023)
Political: Strong Right
Diversity: Moderate
Traditional
8.3
Ford v Ferrari
(2019)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Teacher's Pet
(2004)
Political: Center
Diversity: Low
Leans Traditional
7.4
The Three Faces of Eve
(1957)
Political: Center
Diversity: Low
Leans Traditional
6.6
Mrs. Parker and the Vicious Circle
(1994)
Political: Center
Diversity: Low
Traditional
6.8
Wrath of Man
(2021)
Political: Leans Right
Diversity: Low
Leans Traditional
8.1
National Velvet
(1945)
Political: Center
Diversity: Low
Traditional
7.6
San Francisco
(1936)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
Stand and Deliver
(1988)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.7
Star!
(1968)
Political: Center
Diversity: Low
Leans Traditional
7.6
The Pit and the Pendulum
(1961)
Political: Center
Diversity: Low
Traditional
6.7
Lawless
(2012)
Political: Leans Right
Diversity: Low
Leans Traditional
8.1
Hugo
(2011)
Political: Center
Diversity: Low