6.0
Viewer Rating
Combines user and critic ratings from four sources
My House in Umbria (2003)
My House in Umbria (2003)
Overview
Emily Delahunty is an eccentric British romance novelist who lives in Umbria in central Italy. One day while travelling, the train she is on is bombed by terrorists. After she wakes up in a hospital, she invites three of the other survivors of the disaster to stay at her Italian villa for recuperation. Of these are The General, a retired British Army veteran, Werner, a young German man, and Aimee, a young American girl who has now become mute after her parents were both killed in the explosion.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
LGBTQ: Neutral
Christianity: Positive
Viewer Rating
6.0
Overview
Emily Delahunty is an eccentric British romance novelist who lives in Umbria in central Italy. One day while travelling, the train she is on is bombed by terrorists. After she wakes up in a hospital, she invites three of the other survivors of the disaster to stay at her Italian villa for recuperation. Of these are The General, a retired British Army veteran, Werner, a young German man, and Aimee, a young American girl who has now become mute after her parents were both killed in the explosion.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film primarily explores the universal themes of trauma, grief, and healing through human connection after a terrorist attack, without delving into the political causes or offering ideologically charged solutions.
The film features a predominantly white main cast without apparent intentional race or gender swaps of traditional roles. Its narrative focuses on character-driven drama without explicitly critiquing traditional identities or centering strong DEI themes.
Secondary
The film includes Quinty, a gay character whose identity is present but not central to the plot. His arc focuses on recovering from trauma, with his sexuality acknowledged incidentally without strong positive or negative narrative emphasis. The portrayal avoids both uplift and denigration, fitting a neutral depiction.
The film portrays Mrs. Delahunty's personal, unconventional spirituality, which draws heavily on Christian concepts of God and angels, as a profound source of comfort, strength, and purpose. Her faith enables her to heal from trauma and extend compassion to others, with the narrative affirming the positive impact of her beliefs.
There is insufficient information available to assess the film's portrayal of transsexual characters or themes. No details regarding the presence or depiction of such characters or themes were provided, making it impossible to determine a net impact rating.
The movie does not contain any action or adventure elements.
The film is an adaptation of William Trevor's novella. Major characters like Mrs. Emily Delahunty and General Laudani retain their canonical genders. The character played by Chris Cooper, Mr. Riversmith, is an uncle figure and not a gender-swapped version of a pre-existing, gender-defined character from the source material.
The film adapts William Trevor's novel. Key characters, including Mrs. Emily Delahunty, The General, and Thomas Riversmith, are portrayed by actors whose race aligns with their established descriptions in the source material, showing no instances of race swapping.
Viewer Rating Breakdown
User Ratings
6.9
6.0
Critic Ratings
5.0
N/A
More Like This
Leans Traditional
6.8
So Soon to Die
(1957)
Political: Center
Diversity: Low
Center
7.7
Let Me In
(2010)
Political: Center
Diversity: Low
Traditional
6.8
Taking Chance
(2009)
Political: Leans Right
Diversity: Low
Traditional
6.6
Last Stand at Saber River
(1997)
Political: Leans Right
Diversity: Low
Traditional
6.6
The Paradine Case
(1947)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.8
Flame and the Flesh
(1954)
Political: Center
Diversity: Low
Traditional
7.1
Without Incident
(1957)
Political: Leans Right
Diversity: Low
Center
7.4
Marjorie Prime
(2017)
Political: Center
Diversity: Low
Leans Traditional
8.6
Witness for the Prosecution
(1957)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Pentagon Wars
(1998)
Political: Center
Diversity: Low
Traditional
7.0
Mother Teresa of Calcutta
(2003)
Political: Strong Right
Diversity: Moderate
Leans Traditional
7.8
Clipper Ship
(1957)
Political: Center
Diversity: Low
Center
8.2
Mystic River
(2003)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Firm
(1993)
Political: Center
Diversity: Low
Leans Traditional
8.8
L.A. Confidential
(1997)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.0
Jesse Stone: Benefit of the Doubt
(2012)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
The Deep End
(2001)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.3
I'm Thinking of Ending Things
(2020)
Political: Center
Diversity: Low
Leans Traditional
6.6
Oxygen
(1999)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Conversation
(1974)
Political: Center
Diversity: Low