
قبلني يا أبي (1947)

قبلني يا أبي (1947)
Overview
When Arna'out Pasha learns that his son is married to a dancer in secret and that they have a child, he threatens to cut his son off. The son sends his family to Lebanon but as war breaks out, he loses contact with them.
Starring Cast
Rating & Dimensions
Not Rated
Overview
When Arna'out Pasha learns that his son is married to a dancer in secret and that they have a child, he threatens to cut his son off. The son sends his family to Lebanon but as war breaks out, he loses contact with them.
Starring Cast
Detailed Bias Analysis
Primary
The film's central subject matter revolves around universal familial relationships, specifically father-child dynamics. Without specific plot details or thematic elements indicating a particular political stance, the evaluation defaults to a neutral rating.
This 1945 documentary, produced during WWII, features a cast representative of a unified America, reflecting the diversity of the era without explicitly recasting traditional roles. Its narrative primarily focuses on national unity and the war effort, presenting traditional identities in a positive or neutral light without critical commentary.
Secondary
Based on the information available, 'The Ramparts' does not present identifiable LGBTQ+ characters or themes, leading to an N/A classification for its portrayal in this evaluation.
The film 'The Red Mask' (1947) does not appear to feature any transsexual characters or themes. Available plot information and historical context indicate no depiction of transgender identity, leading to a net impact rating of N/A.
The movie does not contain any action or adventure elements.
The Ramparts is a 1947 documentary short film about the history of the United States. There is no evidence of specific named characters from established source material or historical records being portrayed with a different gender.
As a 1947 documentary about the United Nations, "The Ramparts" does not feature fictional characters with established canonical races from source material, nor does it adapt specific historical figures whose race could be altered. Therefore, no race swaps are present.
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