7.1
Viewer Rating
Combines user and critic ratings from four sources
Real Women Have Curves (2002)
Real Women Have Curves (2002)
Overview
In East Los Angeles, an 18-year-old struggles between her ambitions of going to college and the desires of her domineering mother for her to get married, have children, and oversee the small, rundown family-owned textile factory.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Strong Left
Diversity: High
Christianity: Negative
Viewer Rating
7.1
Overview
In East Los Angeles, an 18-year-old struggles between her ambitions of going to college and the desires of her domineering mother for her to get married, have children, and oversee the small, rundown family-owned textile factory.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central thesis explicitly promotes progressive ideology by championing women's empowerment, body positivity, and individual self-determination against restrictive cultural and familial expectations within an immigrant context.
This film features a predominantly Latinx cast, centering its narrative on the experiences of a Mexican-American family. It explicitly addresses themes of cultural identity, body image, and female empowerment, challenging traditional societal norms and expectations.
Secondary
The film portrays traditional, culturally-ingrained Christian (Catholic) values, primarily through the mother character, as restrictive and oppressive, particularly regarding body image, gender roles, and personal freedom. The narrative champions the protagonist's journey of self-acceptance and independence in direct contrast to these norms.
The film 'Real Women Have Curves' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a young Mexican-American woman's personal growth, family relationships, and aspirations, making the portrayal of LGBTQ+ elements not applicable.
Real Women Have Curves does not feature any identifiable transsexual characters or themes. The narrative centers on a cisgender Latina teenager's experiences with family, education, and self-acceptance, making the framework for transsexual portrayal inapplicable.
The movie does not contain any action or adventure elements.
This film is an adaptation of a play by Josefina López. The characters' genders in the film are consistent with their portrayal in the original source material, the play. There are no instances of characters established as one gender in the play being portrayed as a different gender in the film.
The film "Real Women Have Curves" is an adaptation of a play by Josefina López, both of which center on a Mexican-American family. The characters' racial identities in the film are consistent with their portrayal in the original source material.
Viewer Rating Breakdown
User Ratings
6.9
6.0
Critic Ratings
8.5
7.1
More Like This
Leans Progressive
6.5
Away We Go
(2009)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Progressive
7.1
Transamerica
(2005)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Leans Progressive
9.2
In Trousers
(1979)
Political: Strong Left
Diversity: Low
LGBTQ: Positive
Progressive
6.6
Babylon
(2022)
Political: Center
Diversity: High
LGBTQ: Positive
Progressive
6.8
Saturday Night
(2024)
Political: Center
Diversity: Not Rated
Leans Progressive
6.7
Chocolat
(2000)
Political: Leans Left
Diversity: Moderate
Progressive
7.1
Dumb Money
(2023)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Leans Progressive
7.6
Good Morning, Vietnam
(1987)
Political: Leans Left
Diversity: Moderate
Progressive
8.2
BlacKkKlansman
(2018)
Political: Strong Left
Diversity: High
Leans Progressive
6.9
Eternity
(2025)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Progressive
7.4
Out
(2020)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Leans Progressive
8.4
The Holdovers
(2023)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Leans Progressive
7.4
My Dead Friend Zoe
(2024)
Political: Center
Diversity: High
Leans Progressive
6.9
I Care a Lot
(2021)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Progressive
8.0
Love, Simon
(2018)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Progressive
7.4
Hustlers
(2019)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Progressive
7.1
Jules
(2023)
Political: Leans Left
Diversity: Low
LGBTQ: Positive
Leans Progressive
8.2
Are You There God? It's Me, Margaret.
(2023)
Political: Leans Left
Diversity: Moderate
Progressive
7.7
Orders
(2017)
Political: Not Rated
Diversity: Not Rated
Progressive
7.4
Fried Green Tomatoes
(1991)
Political: Leans Left
Diversity: High
LGBTQ: Positive