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Rolling Stone Magazine: The 10th Anniversary (1977)
Train wreck, some might call it a TV special, proving that not everything was better in the good old days. That includes Rolling Stone Magazine.
Train wreck, some might call it a TV special, proving that not everything was better in the good old days. That includes Rolling Stone Magazine.
This film explicitly celebrates the first decade of Rolling Stone Magazine, a publication deeply embedded in and championing the counter-culture, anti-establishment, and progressive movements of the late 1960s and 1970s. Its central thesis promotes the magazine's role as a voice for progressive ideology and social change.
This concert and documentary film, celebrating Rolling Stone Magazine's 10th anniversary, features a diverse array of real-life musicians and personalities, reflecting the varied music landscape of the 1970s. The narrative focuses on celebrating the magazine's legacy and the artists it covered, maintaining a neutral or positive framing of identities without engaging in explicit social critique.
The film, a 1977 music documentary celebrating Rolling Stone magazine's 10th anniversary, focuses on musical performances and interviews. There are no identifiable LGBTQ+ characters or themes present in the narrative or among the featured individuals, resulting in no depiction of queer identity.
This film is a music and interview special commemorating Rolling Stone magazine's 10th anniversary. It focuses on musical performances and industry insights from 1977, and does not feature any identifiable transsexual characters or themes within its content.
The movie does not contain any action or adventure elements.
This 1977 TV special celebrates Rolling Stone Magazine's anniversary, featuring real-life musicians and personalities. It is not an adaptation of fictional material, nor does it portray historical figures with actors of a different gender. Therefore, no gender swaps are present.
This 1977 TV special celebrates Rolling Stone magazine, featuring real people and performances rather than fictional characters or narrative portrayals of historical figures by actors. The concept of a 'race swap' does not apply to this type of production.
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