6.7
Viewer Rating
Combines user and critic ratings from four sources
Yentl (1983)
Yentl (1983)
Overview
In a time when girls were forbidden to study religious scriptures, a Jewish girl masquerades as a boy to enter religious training and unexpectedly finds love along the way.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Judaism: Positive
Viewer Rating
6.7
Overview
In a time when girls were forbidden to study religious scriptures, a Jewish girl masquerades as a boy to enter religious training and unexpectedly finds love along the way.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central thesis explicitly promotes progressive ideology by critiquing patriarchal religious traditions that deny women education and advocating for individual liberation and gender equality.
The movie features casting authentic to its historical and cultural setting, without explicit modern DEI-driven recasting. However, its narrative strongly critiques traditional patriarchal structures and gender roles, centering on a woman's fight for education and self-determination.
Secondary
Yentl portrays gender non-conformity and a same-sex marriage (albeit disguised) with dignity and empathy. The protagonist's agency and complex journey are affirmed, with societal restrictions, not her identity, framed as the primary challenge. The film's respectful stance toward her non-normative path results in a net positive impact.
The film offers a nuanced portrayal of Orthodox Judaism, critiquing the patriarchal traditions that restrict women from religious study while affirming the profound value of the faith and the pursuit of knowledge. It champions the individual's spiritual and intellectual aspirations, positioning the audience to sympathize with Yentl's desire to fully engage with her religious heritage.
The film 'Yentl' does not feature transsexual characters or themes. The protagonist's cross-dressing is a narrative device to explore gender roles and societal restrictions on women's education, rather than an exploration of gender identity or transsexuality. Her motivation is external, and she does not identify as male.
The movie does not contain any action or adventure elements.
The film depicts Yentl, a female character from the source material, who disguises herself as a man within the story. This is an in-plot gender disguise, not a change of the character's canonical gender from source to screen.
The film is an adaptation of a short story set in a Jewish community in early 20th-century Poland. All main characters, canonically implied to be white (Ashkenazi Jewish), are portrayed by white actors, consistent with the source material and historical context.
Viewer Rating Breakdown
User Ratings
6.6
6.7
Critic Ratings
6.9
6.8
More Like This
Leans Progressive
7.3
Moulin Rouge!
(2001)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
6.9
The Rose
(1979)
Political: Leans Left
Diversity: Low
LGBTQ: Positive
Center
6.8
Sweet Charity
(1969)
Political: Center
Diversity: Moderate
Progressive
7.3
Saturday Church
(2018)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Progressive
6.5
The History of Sound
(2025)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Progressive
8.1
Cabaret
(1972)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
6.7
Nick and Norah's Infinite Playlist
(2008)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.4
Priscilla
(2023)
Political: Leans Left
Diversity: Moderate
Progressive
7.9
Stormy Weather
(1943)
Political: Leans Left
Diversity: High
Leans Progressive
6.8
Ruth & Boaz
(2025)
Political: Leans Right
Diversity: High
Progressive
7.1
Show Boat
(1951)
Political: Leans Left
Diversity: High
Leans Progressive
7.5
Two Fists, One Heart
(2009)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.5
Queen Christina
(1934)
Political: Leans Left
Diversity: Low
LGBTQ: Positive
Progressive
8.0
Love, Simon
(2018)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Progressive
7.5
Queen & Slim
(2019)
Political: Strong Left
Diversity: High
Leans Progressive
6.5
Away We Go
(2009)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Progressive
7.4
Out
(2020)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Progressive
7.8
Good Luck to You, Leo Grande
(2022)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Progressive
7.5
Children of a Lesser God
(1986)
Political: Leans Left
Diversity: High
Leans Progressive
8.7
Call Me by Your Name
(2017)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive