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The History of Sound (2025)
In 1917, two young music students attending the Boston Conservatory bond over their mutual love of folk music. They reconnect a few years later, embarking on a song collecting trip in the backwaters of Maine.
In 1917, two young music students attending the Boston Conservatory bond over their mutual love of folk music. They reconnect a few years later, embarking on a song collecting trip in the backwaters of Maine.
The film's central subject matter, focusing on queer love and historical recognition of marginalized identities, aligns with progressive values, implicitly supporting LGBTQ+ visibility through its humanistic narrative.
The movie demonstrates significant DEI through its central queer romance between two men, which is a deliberate and prominent feature of the narrative. It explores the emotional and psychological impact of this relationship within the historical context of early 20th-century societal constraints, thereby offering a strong and explicit focus on a marginalized identity.
The film offers a melancholic yet deeply empathetic portrayal of queer love in early 20th-century America. It depicts the quiet intimacy and dignity of two men's relationship, framing societal repression as an external challenge while subtly affirming the enduring worth of their hidden lives and love.
The History of Sound (2025) does not feature transsexual characters or themes. The film's narrative focuses on the romantic and emotional connection between two cisgender men, Lionel and David, exploring love, music, loss, and memory. There is no depiction of transgender or transsexual identities or experiences within the story.
The movie does not contain any action or adventure elements.
The film adapts Ben Shattuck's short stories, depicting two male protagonists, Lionel Worthing and David White, consistent with their original canonical genders. No characters are indicated to have a different on-screen gender from their established source material or historical record.
The film's protagonists, Lionel and David, are implied to be white Americans of European descent in the source material and historical context. Paul Mescal and Josh O’Connor, both white actors, are consistent with this implied background. No characters established as one race are portrayed as a different race.
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