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The History of Sound (2025)
In 1917, two young music students attending the Boston Conservatory bond over their mutual love of folk music. They reconnect a few years later, embarking on a song collecting trip in the backwaters of Maine.
In 1917, two young music students attending the Boston Conservatory bond over their mutual love of folk music. They reconnect a few years later, embarking on a song collecting trip in the backwaters of Maine.
The film is rated neutral because its primary focus is on universal humanistic themes of love, memory, and music, deliberately avoiding overt political conflict or strong ideological stances, even while subtly affirming queer love and acknowledging issues like cultural appropriation without deep exploration.
The movie demonstrates significant DEI through its central queer romance between two men, which is a deliberate and prominent feature of the narrative. It explores the emotional and psychological impact of this relationship within the historical context of early 20th-century societal constraints, thereby offering a strong and explicit focus on a marginalized identity.
The film offers a melancholic yet deeply empathetic portrayal of queer love in early 20th-century America. It depicts the quiet intimacy and dignity of two men's relationship, framing societal repression as an external challenge while subtly affirming the enduring worth of their hidden lives and love.
The History of Sound (2025) is a period drama focused on a gay male romance, exploring themes of queer love and memory. Based on available information, the film does not depict transsexual characters, storylines, or communities within its narrative. Its exploration of queer identity is specific to the experiences of its gay protagonists.
The movie does not contain any action or adventure elements.
The film adapts Ben Shattuck's short stories, depicting two male protagonists, Lionel Worthing and David White, consistent with their original canonical genders. No characters are indicated to have a different on-screen gender from their established source material or historical record.
The film's protagonists, Lionel and David, are implied to be white Americans of European descent in the source material and historical context. Paul Mescal and Josh O’Connor, both white actors, are consistent with this implied background. No characters established as one race are portrayed as a different race.
Combines user and critic ratings from four sources























