Viewer Rating
Combines user and critic ratings from four sources

Sinners (2025)
Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.
Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.
The film explicitly critiques systemic racism, white supremacy, and cultural appropriation as pervasive societal problems, championing Black resilience, Afrofuturism, and resistance as central solutions, aligning its core thesis with progressive ideology.
The movie features a predominantly Black cast and creative team, intentionally centering a narrative around Black characters in the Jim Crow era. Its story explicitly critiques systemic racism, assimilationist pressures, and oppressive historical power structures through its horror elements and antagonists.
Sinners implicitly portrays LGBTQ+ themes through queer coding and the vampire metaphor, reflecting experiences of marginalization and resilience. While resonating with queer audiences, the film does not explicitly depict LGBTQ+ characters or storylines, maintaining a symbolic and subtextual approach within its broader narrative of Black joy and survival.
The film critically portrays institutional Christianity as stifling authentic cultural expression and potentially complicit in oppressive power structures, ultimately questioning its efficacy in the face of systemic evil.
Based on available information, the movie *Sinners* does not feature transsexual characters or engage with transsexual themes. Its narrative centers on Black cultural identity, family, and supernatural horror, without any explicit portrayal or mention of the transsexual community.
Based on the available trailer and final fight scene clip for 'Sinners' (2025), there is no visible evidence of female characters engaging in or winning close-quarters physical combat against male opponents. All depicted combat involves male characters.
The film features original characters created for its narrative, such as Smoke, Stack, Annie, and Mary. These characters lack prior canonical or historical gender identities, meaning there is no source material or historical record against which to compare their on-screen gender for a swap.
The film's characters and casting choices align with the historical and cultural context of 1932 Mississippi. No character is identified as having a pre-established canonical or historical race that differs from their on-screen portrayal.
Combines user and critic ratings from four sources























