6.6
Viewer Rating
Combines user and critic ratings from four sources
Soldiers of Fortune (1914)
Soldiers of Fortune (1914)
Overview
Adventerous engineer Robert Clay, goes to a South American country on an assignment by rich American Ted Langham to open an iron mine. While Robert is there, the unscrupulous General Mendoza tries to convince him to divide the mine's assets between them and President Alvarez. Mendoza starts a revolution against Alvarez when he and Clay will not go along with the plan, but he eventually is defeated after a long battle. Clay then is able to pursue his relationship with Hope, Langham's daughter, who has accompanied her father to South America.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Strong Right
Diversity: Low
Viewer Rating
6.6
Overview
Adventerous engineer Robert Clay, goes to a South American country on an assignment by rich American Ted Langham to open an iron mine. While Robert is there, the unscrupulous General Mendoza tries to convince him to divide the mine's assets between them and President Alvarez. Mendoza starts a revolution against Alvarez when he and Clay will not go along with the plan, but he eventually is defeated after a long battle. Clay then is able to pursue his relationship with Hope, Langham's daughter, who has accompanied her father to South America.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central thesis explicitly promotes conservative ideology by celebrating American individual heroism and interventionism as a positive force to restore order and protect national interests in a foreign land.
This film, produced in 1919, features traditional casting with no apparent intentional race or gender swaps of roles. Its narrative is also expected to frame traditional identities neutrally or positively, without explicit DEI critiques, reflecting the common cinematic practices of its time.
Secondary
The film 'Soldiers of Fortune' (1919) does not include any discernible LGBTQ+ characters or themes. Its narrative focuses on adventure and romance without engaging with queer identities or experiences, resulting in no portrayal to evaluate.
The 1914 silent film 'Soldiers of Fortune' does not feature any identifiable transsexual characters or themes. Its narrative, typical of early 20th-century cinema, focuses on adventure, romance, and political intrigue without addressing gender identity.
The movie does not contain any action or adventure elements.
The 1914 film "Soldiers of Fortune" is an adaptation of Richard Harding Davis's 1897 novel. A review of the main characters and their portrayals in the film indicates that all significant roles maintained the same gender as established in the original source material. No instances of a character canonically established as one gender being portrayed as a different gender were found.
The 1914 film adapts a novel where the main characters' races align with their portrayals. While a Latin American character is played by a white actor, this was a common casting practice for the era and does not meet the definition of a race swap, which excludes ambiguous racial depictions or shifts in ethnicity/nationality within the same broader racial category.
Viewer Rating Breakdown
User Ratings
6.6
N/A
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.6
Piya Milan ki Aas
(1961)
Political: Center
Diversity: Low
Leans Traditional
8.2
Phantom Thread
(2017)
Political: Center
Diversity: Low
Leans Traditional
7.4
A Complete Unknown
(2024)
Political: Center
Diversity: Low
Leans Traditional
6.7
Manners in Public
(1958)
Political: Center
Diversity: Low
Traditional
9.0
Elisha
(1994)
Political: Leans Right
Diversity: Low
Traditional
7.1
Without Incident
(1957)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
The King of Kings
(1927)
Political: Leans Right
Diversity: Low
Leans Traditional
8.8
Boyhood
(2014)
Political: Center
Diversity: Low
Center
7.0
Jones Plantation
(2023)
Political: Strong Right
Diversity: High
Leans Traditional
7.4
Anna Karenina
(1935)
Political: Center
Diversity: Low
Leans Traditional
8.0
The Boomerang
(1919)
Political: Center
Diversity: Low
Leans Traditional
8.3
7th Heaven
(1927)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Disaster Artist
(2017)
Political: Center
Diversity: Low
Leans Traditional
7.5
News of the World
(2020)
Political: Center
Diversity: Low
Leans Traditional
8.1
Joe
(1997)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Dressmaker from Paris
(1925)
Political: Center
Diversity: Low
Traditional
7.7
The Human Comedy
(1943)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Star!
(1968)
Political: Center
Diversity: Low
Leans Traditional
7.6
End of Watch
(2012)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
Saving Mr. Banks
(2013)
Political: Center
Diversity: Low