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Drama, Comedy, Crime • 1970 • 112 min

In post-war Austria, an opportunistic young man begins working as a footman to a widowed countess and uses his sexual talents to better his station in life.
Angela Lansbury • Michael York • Anthony Higgins
In post-war Austria, an opportunistic young man begins working as a footman to a widowed countess and uses his sexual talents to better his station in life.
Angela Lansbury • Michael York • Anthony Higgins
The film's dominant themes align with left-leaning values by satirizing the decadence and vulnerability of the aristocracy and exposing the corrosive nature of class manipulation, even if it offers a cynical rather than prescriptive solution.
The film features traditional casting with no explicit race or gender swaps of roles. Its narrative does not present a critical portrayal of traditional identities or incorporate explicit DEI themes, focusing instead on character-driven drama within an aristocratic setting.
The film features Helmuth, a gay character whose attraction is exploited by the manipulative protagonist, Konrad. Helmuth's same-sex encounters are used against him, leading to his disinheritance and forced removal to a monastery. The narrative portrays his identity as a vulnerability that results in severe negative consequences, without offering any affirming counterbalance.
The film portrays an aristocratic family unit being systematically infiltrated and manipulated, with traditional family structures, gender roles, and sexual ethics consistently undermined and subverted by the protagonist's amoral ambition.
The film "Something for Everyone" does not feature any identifiable transgender characters or themes. Its narrative explores a manipulative young man's sexual and social machinations within a wealthy family, touching upon various forms of sexuality, including bisexuality and homosexuality, but it does not delve into transsexual identity or experiences. Therefore, there is no portrayal of transsexual characters or themes to evaluate.
The movie does not contain any action or adventure elements.
The film adapts Alfred Hayes' novel "The Balcony." All major characters, including Konrad, Countess Herthe von Ornstein, and Helmuth, maintain their established genders from the source material in the screen adaptation.
The film adapts a novel featuring characters implicitly established as white Europeans through their names, setting, and cultural context. All significant roles in the film are portrayed by white actors, aligning with the source material's implied racial depictions.
Not depicted in the film.
Combines user and critic ratings from four sources























