2.8
Viewer Rating
Combines user and critic ratings from four sources
Ten Violent Women (1982)
Ten Violent Women (1982)
Overview
Eight women miners get fed up with their lifestyle and decide to try crime. After successfully pulling off a jewelry store robbery, they are busted by narcs when they try to buy cocaine. The eight get sent to a prison where a butch head guard uses the prisoners for her own deviant pleasures. Two of the women manage to escape and then get mixed up with a shah who had a scarab ring stolen in their jewelry heist.
Starring Cast
Where to watch
PhiloRating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Low
LGBTQ: Neutral
Female Combat: Yes
Viewer Rating
2.8
Overview
Eight women miners get fed up with their lifestyle and decide to try crime. After successfully pulling off a jewelry store robbery, they are busted by narcs when they try to buy cocaine. The eight get sent to a prison where a butch head guard uses the prisoners for her own deviant pleasures. Two of the women manage to escape and then get mixed up with a shah who had a scarab ring stolen in their jewelry heist.
Starring Cast
Where to watch
PhiloDetailed Bias Analysis
Analyzing...
Center
Primary
The film's primary objective as an exploitation feature is sensational entertainment, not the promotion of a specific political ideology, resulting in a lack of clear left or right-leaning thematic development.
The movie features primarily traditional casting without explicit DEI-driven race or gender swaps. Its narrative does not critically portray traditional identities or center on strong DEI themes, aligning with typical genre conventions for its era.
Secondary
The film contains subtle, implied lesbian undertones, primarily through the devotion of one female character to another and the dynamics within an all-female team. These elements are incidental to the main plot and neither affirm nor denigrate LGBTQ+ identity.
The film features a group of female convicts who escape and engage in violent confrontations. At least one of these women is depicted physically overpowering male opponents in close-quarters combat during their escape or subsequent actions.
This film does not feature any identifiable transsexual characters or themes within its narrative or cast. Consequently, no portrayal could be evaluated under the given framework.
This film is an original production and does not adapt any pre-existing source material with established characters. Therefore, no characters exist who were canonically, historically, or widely established as one gender prior to this film's creation.
Ten Violent Women (1982) is an original film with no prior source material, established characters, or historical figures. All characters were created for this production, meaning no character's race could have been altered from a pre-existing depiction.
Viewer Rating Breakdown
User Ratings
3.4
2.3
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.1
Heat
(1995)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Matador
(2005)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.0
The Towering Inferno
(1974)
Political: Center
Diversity: Low
Leans Traditional
6.7
Twister
(1996)
Political: Center
Diversity: Low
Traditional
6.7
The Patriot
(2000)
Political: Strong Right
Diversity: Low
Leans Traditional
7.8
The Longest Day
(1962)
Political: Center
Diversity: Low
Traditional
7.2
Down to the Sea in Ships
(1949)
Political: Leans Right
Diversity: Low
Leans Traditional
8.4
The Fugitive
(1993)
Political: Center
Diversity: Low
Traditional
7.7
Braveheart
(1995)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.9
Batman Begins
(2005)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
Apocalypto
(2006)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.2
The Karate Kid
(1984)
Political: Leans Right
Diversity: Moderate
Traditional
7.3
Open Range
(2003)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
Thunderbolt and Lightfoot
(1974)
Political: Center
Diversity: Low
Traditional
7.9
Jeremiah Johnson
(1972)
Political: Leans Right
Diversity: Low
Traditional
8.5
Scarface
(1932)
Political: Leans Right
Diversity: Low
Leans Traditional
8.9
The Dark Knight
(2008)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
The Last Samurai
(2003)
Political: Leans Right
Diversity: Moderate
Traditional
7.9
Gladiator
(2000)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
Marathon Man
(1976)
Political: Center
Diversity: Low