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The Descent of the Ganges (1937)
This is a Puranic tale, which, by all accounts, was a grand mythological spectacle full of miracles and fantasy scenes with special effects. Chitnis played the god Shanker, and Suresh played the sage Narada.
This is a Puranic tale, which, by all accounts, was a grand mythological spectacle full of miracles and fantasy scenes with special effects. Chitnis played the god Shanker, and Suresh played the sage Narada.
The film's rating is neutral because its central subject matter is a Hindu mythological narrative, focusing on religious devotion, ancestral duty, and divine intervention, which are inherently apolitical themes in the context of modern political discourse.
The film, an Indian mythological production, features casting that is traditional to its cultural context, with no explicit race or gender swaps of roles typically associated with Western identities. Its narrative focuses on the mythological story, portraying traditional identities neutrally without central DEI critiques.
The film directly adapts a foundational Hindu myth, portraying the devotion of Bhagiratha and the divine power of the Ganges with reverence. It affirms Hindu beliefs and practices, aligning the narrative with the virtues and dignity of the faith.
This 1927 Indian mythological silent film does not contain any discernible LGBTQ+ characters or themes. Its narrative focuses on traditional mythological storytelling, which predates and does not incorporate modern concepts of sexual orientation or gender identity.
The film, a 1927 Indian mythological silent feature, focuses on the Hindu legend of the Ganges River's descent. Its narrative and historical context do not indicate the presence of any identifiable transsexual characters or themes, resulting in a 'N/A' rating for portrayal.
The movie does not contain any action or adventure elements.
The film is an adaptation of the Hindu mythological story of the Descent of the Ganges. There is no historical or critical information suggesting that any canonically male or female characters from the source myth were portrayed with a different gender in this 1937 adaptation.
The film adapts Indian mythology, featuring characters canonically established as Indian. Produced in India in 1937 with Indian directors and actors, there is no indication that any character's race was changed from its established origin.
Combines user and critic ratings from four sources























