Viewer Rating
Combines user and critic ratings from four sources

The Exorcist (1973)
When a mysterious entity possesses a young girl, her mother seeks the help of two Catholic priests to save her life.
When a mysterious entity possesses a young girl, her mother seeks the help of two Catholic priests to save her life.
The film's central conflict is resolved through the validation of traditional religious faith and the Catholic Church's rituals, positioning them as the sole effective solution against supernatural evil, which aligns with right-leaning themes of tradition and spiritual authority.
The film features a predominantly white cast, consistent with mainstream productions of its time, and does not include intentional race or gender swaps for traditional roles. Its narrative focuses on a supernatural horror theme without critically portraying traditional identities or incorporating explicit diversity, equity, and inclusion themes.
The film portrays Catholic Christianity as the only effective force against demonic possession. Priests like Father Merrin and Father Karras, despite personal struggles, embody the faith's power and self-sacrifice, ultimately succeeding in expelling the demon. The narrative affirms the spiritual reality and the necessity of Christian faith in combating evil.
The Exorcist (1973) does not feature any identifiable LGBTQ+ characters or themes. The narrative is solely focused on the demonic possession of a young girl and the subsequent efforts by priests to perform an exorcism, without incorporating any elements related to queer identity or experiences.
The film "The Exorcist" (1973) does not feature any identifiable transsexual characters or themes. The narrative focuses on demonic possession and exorcism, with no elements related to transgender identity or experiences. Therefore, there is no depiction to evaluate regarding its impact.
The movie does not contain any action or adventure elements.
The 1973 film "The Exorcist" adapts William Peter Blatty's novel without altering the established genders of its main characters. All significant roles maintain their original gender from the source material.
The 1973 film is the initial adaptation of William Peter Blatty's novel. All major characters, including Regan MacNeil, Chris MacNeil, Father Karras, and Father Merrin, are portrayed by actors whose race aligns with their established depiction in the source material.
Combines user and critic ratings from four sources




Actors
| Name | Role | Gender | Race | Nationality |
|---|---|---|---|---|
Ellen Burstyn | Chris MacNeil | Female | White | |
Linda Blair | Regan MacNeil | Female | White | |
Jason Miller | Father Damien Karras | Male | White | |
Max von Sydow | Father Lankester Merrin | Male | White | |
Lee J. Cobb | Lt. Bill Kinderman | Male | White | |
William O'Malley | Father Joseph Kevin Dyer | Male | White | |
Kitty Winn | Sharon Spencer | Female | White | |
Jack MacGowran | Burke Dennings | Male | White | |
Barton Heyman | Dr. Klein | Male | White | |
Peter Masterson | Dr. Barringer | Male | White | |
Rudolf Schündler | Karl | Male | White | |
Robert Symonds | Dr. Taney | Male | White | |
Arthur Storch | Psychiatrist | Male | White | |
Thomas Bermingham | Tom | Male | White | |
William Peter Blatty | The Producer (uncredited) | Male | White |
Actor Breakdown
Gender
Race
Nationalities



















