3.7
Viewer Rating
Combines user and critic ratings from four sources
The House Next Door: Meet the Blacks 2 (2021)
The House Next Door: Meet the Blacks 2 (2021)
Overview
Bestselling author Carl Black moves his family back to his childhood home, he must team up with oddball neighbors to do battle with a pimp, who may or may not be an actual vampire.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Christianity: Negative
Viewer Rating
3.7
Overview
Bestselling author Carl Black moves his family back to his childhood home, he must team up with oddball neighbors to do battle with a pimp, who may or may not be an actual vampire.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film is a horror-comedy that focuses on genre tropes, family survival against strange neighbors, and situational humor. Its core conflict and resolution are apolitical, lacking any explicit promotion or critique of specific ideologies.
The movie features a predominantly Black main cast, showcasing visible diversity without explicit race or gender swaps of traditionally white roles. Its narrative, typical of a horror-comedy, does not explicitly critique traditional identities or center strong DEI themes.
Secondary
The film, a horror-comedy, likely uses Christian figures and practices for comedic effect, often portraying them as foolish or ineffective against supernatural threats. This comedic portrayal, without significant counterbalancing nuance, can reinforce a stereotype of religious adherents as naive or their faith as inadequate.
The film does not feature any identifiable LGBTQ+ characters or themes within its narrative. Consequently, there is no portrayal to evaluate regarding its impact on queer identity or representation.
The film "The House Next Door: Meet the Blacks 2" does not feature any identifiable transsexual characters or themes. Therefore, there is no portrayal to evaluate, resulting in a net impact of N/A.
The movie does not contain any action or adventure elements.
This film is a sequel to an original horror-comedy, not an adaptation of pre-existing source material with established characters of a different gender. Returning characters maintain their original genders, and new characters do not qualify as gender swaps.
This film is a sequel where the main characters retain their established racial identities from the previous installment. New characters introduced in the film do not constitute race swaps.
Viewer Rating Breakdown
User Ratings
4.1
5.3
Critic Ratings
1.7
N/A
More Like This
Leans Traditional
7.9
Big
(1988)
Political: Center
Diversity: Low
Center
8.2
Snorks: Bubbles of Fun
(1987)
Political: Center
Diversity: Moderate
Leans Traditional
7.5
Operation Petticoat
(1959)
Political: Center
Diversity: Low
Center
7.5
Office Space
(1999)
Political: Center
Diversity: Moderate
Traditional
7.4
The Party
(1968)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.3
My Man Godfrey
(1936)
Political: Center
Diversity: Low
Center
7.7
The Royal Tenenbaums
(2001)
Political: Center
Diversity: Moderate
Center
6.5
Sky High
(2005)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Traditional
8.6
Annie Hall
(1977)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.0
The Pink Panther
(1963)
Political: Center
Diversity: Low
Leans Traditional
7.5
Punch-Drunk Love
(2002)
Political: Center
Diversity: Low
Traditional
6.9
Quick Change
(1990)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
Cat Ballou
(1965)
Political: Center
Diversity: Low
Leans Traditional
6.9
The Return of the Pink Panther
(1975)
Political: Center
Diversity: Low
Center
7.0
Mike's New Car
(2002)
Political: Center
Diversity: Moderate
Center
7.8
The Guardians of the Galaxy Holiday Special
(2022)
Political: Center
Diversity: Moderate
Leans Traditional
8.5
The Sting
(1973)
Political: Center
Diversity: Low
Center
8.4
Being John Malkovich
(1999)
Political: Center
Diversity: Low
LGBTQ: Positive
Traditional
7.2
Slap Shot
(1977)
Political: Center
Diversity: Low
LGBTQ: Negative
Center
6.9
White Men Can't Jump
(1992)
Political: Center
Diversity: Moderate