MovieBias

See all results for ""
BrowseAnalyticsAbout

The Informer (1935)

The Informer poster

The Informer (1935)

Overview

Gypo Nolan is a former Irish Republican Army man who drowns his sorrows in the bottle. He's desperate to escape his bleak Dublin life and start over in America with his girlfriend. So when British authorities advertise a reward for information about his best friend, current IRA member Frankie, Gypo cooperates. Now Gypo can buy two tickets on a boat bound for the States, but can he escape the overwhelming guilt he feels for betraying his buddy?


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional

Political: Center
Diversity: Low
Christianity: Positive

Viewer Rating
7.4

Overview

Gypo Nolan is a former Irish Republican Army man who drowns his sorrows in the bottle. He's desperate to escape his bleak Dublin life and start over in America with his girlfriend. So when British authorities advertise a reward for information about his best friend, current IRA member Frankie, Gypo cooperates. Now Gypo can buy two tickets on a boat bound for the States, but can he escape the overwhelming guilt he feels for betraying his buddy?


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film primarily functions as a psychological drama exploring themes of guilt, betrayal, and redemption within a specific historical conflict, rather than explicitly promoting or critiquing a particular political ideology. Its focus remains on the individual's moral struggle and the universal human cost of desperate acts, without advocating for a specific political solution or viewpoint.

The movie features a cast primarily composed of white actors portraying Irish characters within a historical setting, reflecting traditional casting practices of its era. The narrative focuses on political and personal conflicts without explicitly critiquing traditional identities or incorporating broader diversity, equity, and inclusion themes.

Secondary

The film deeply integrates Catholic themes of sin, guilt, confession, and redemption into its narrative. It portrays the church as a sacred space and a source of spiritual solace, particularly in Gypo's final moments, suggesting the faith offers a path to forgiveness and peace.

The Informer, a historical drama directed by John Ford, does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on the protagonist's act of betrayal and subsequent guilt within the context of the Irish War of Independence, without incorporating elements related to queer identity or experiences.

The film "The Informer" (1935) does not feature any identifiable transsexual characters or themes. Its narrative focuses on a man's betrayal during the Irish War of Independence, with no elements related to transgender identity.

The movie does not contain any action or adventure elements.

The 1935 film "The Informer" is an adaptation of Liam O'Flaherty's 1925 novel. All major characters, including Gypo Nolan, Frankie McPhillip, and Katie Madden, retain their established genders from the source material in the film adaptation.

The 1935 film "The Informer" is set in Ireland with Irish characters, who are portrayed by white actors. There is no evidence of any character being established as one race in the source material and then portrayed as a different race in the film.


Viewer Rating Breakdown

7.4

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
7.3
The Movie Database logo
6.7

Critic Ratings

Rotten Tomatoes logo
8.9
Metacritic logo
6.5

More Like This

Requiem for a Dream poster
Leans Traditional
7.9
Requiem for a Dream
 (2000)

Political: Center
Diversity: Moderate
LGBTQ: Negative
Party Girl poster
Leans Traditional
7.4
Party Girl
 (1958)
Political: Center
Diversity: Low
And Then There Were None poster
Leans Traditional
8.1
And Then There Were None
 (1945)
Political: Center
Diversity: Low
Blow Out poster
Leans Traditional
8.0
Blow Out
 (1981)
Political: Center
Diversity: Low
Scarface poster
Traditional
8.5
Scarface
 (1932)
Political: Leans Right
Diversity: Low
Public Enemies poster
Leans Traditional
6.8
Public Enemies
 (2009)
Political: Center
Diversity: Low
Butch Cassidy and the Sundance Kid poster
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
 (1969)
Political: Center
Diversity: Low
Rope poster
Traditional
8.1
Rope
 (1948)

Political: Center
Diversity: Low
LGBTQ: Negative
Miller's Crossing poster
Leans Traditional
7.8
Miller's Crossing
 (1990)
Political: Center
Diversity: Low
Blue Velvet poster
Leans Traditional
8.0
Blue Velvet
 (1986)
Political: Center
Diversity: Low
Anatomy of a Murder poster
Leans Traditional
8.8
Anatomy of a Murder
 (1959)
Political: Center
Diversity: Low
Mystic River poster
Center
8.2
Mystic River
 (2003)
Political: Center
Diversity: Low
On the Waterfront poster
Traditional
8.7
On the Waterfront
 (1954)
Political: Leans Right
Diversity: Low
GoodFellas poster
Leans Traditional
8.9
GoodFellas
 (1990)
Political: Center
Diversity: Low
The Sting poster
Leans Traditional
8.5
The Sting
 (1973)
Political: Center
Diversity: Low
Mean Streets poster
Leans Traditional
8.3
Mean Streets
 (1973)
Political: Center
Diversity: Low
Cool Hand Luke poster
Leans Traditional
8.7
Cool Hand Luke
 (1967)
Political: Center
Diversity: Low
The Godfather Part II poster
Leans Traditional
9.0
The Godfather Part II
 (1974)
Political: Center
Diversity: Low
The Godfather Part III poster
Leans Traditional
6.9
The Godfather Part III
 (1990)
Political: Center
Diversity: Low
Wrath of Man poster
Traditional
6.8
Wrath of Man
 (2021)
Political: Leans Right
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com