Leans Traditional
8.1
Adaptation.
(2002)
Political: Center
Diversity: Low
The Joyous Liar (1919)
The Joyous Liar (1919)
Overview
Burke Harlan an artist, saves Anne Warren from auto thieves, but he is wrongfully arrested and accused of stealing her car. The girl's father is a criminologist and has Harlan released into his custody as he would like to try to reform the young man. Harlan finds this highly amusing and goes along with the idea, mainly because it will allow him to be nearer lovely Anne. He does his best at convincing he is a delinquent, however Anne has a beau who is the police commissioner. But the clever Harlan outwits everyone and elopes with Anne before revealing his true identity.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Burke Harlan an artist, saves Anne Warren from auto thieves, but he is wrongfully arrested and accused of stealing her car. The girl's father is a criminologist and has Harlan released into his custody as he would like to try to reform the young man. Harlan finds this highly amusing and goes along with the idea, mainly because it will allow him to be nearer lovely Anne. He does his best at convincing he is a delinquent, however Anne has a beau who is the police commissioner. But the clever Harlan outwits everyone and elopes with Anne before revealing his true identity.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Based solely on the title, 'The Joyous Liar' appears to focus on themes of personal morality, truth, and deception, which are not inherently aligned with a specific political ideology without further plot context. Therefore, a neutral rating is assigned.
Based on the historical context of its production, the film likely features traditional casting without explicit diversity initiatives. Its narrative is also expected to present traditional identities in a neutral or positive light, without engaging in critical portrayals or central DEI themes.
Secondary
The film 'The Joyous Liar' does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on heterosexual relationships and social drama, typical of its era, without any queer representation.
Based on available information and historical context, 'The Joyous Liar' does not feature any identifiable transsexual characters or themes. The film's narrative and character descriptions do not indicate any portrayals relevant to transgender identity.
The movie does not contain any action or adventure elements.
No source material or pre-existing character information is provided for this 1919 film. Without a baseline for character genders from prior canon or history, it is not possible to determine if any character constitutes a gender swap.
There is no evidence that "The Joyous Liar" (1919) adapted source material or historical figures with characters of a canonically established race that was subsequently changed in the film. The characters' races were not explicitly defined as different from their on-screen portrayal.
More Like This
Leans Traditional
6.6
We're No Angels
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.6
Raising Arizona
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.0
Batman
(1966)
Political: Center
Diversity: Low
Leans Traditional
7.6
Guys and Dolls
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.6
Family Plot
(1976)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mask
(1994)
Political: Center
Diversity: Low
Leans Traditional
7.7
The Big Lebowski
(1998)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Pink Panther
(1963)
Political: Center
Diversity: Low
Leans Traditional
7.7
A Shot in the Dark
(1964)
Political: Center
Diversity: Low
Center
6.7
Muppets Most Wanted
(2014)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
6.9
Emil and the Detectives
(1964)
Political: Center
Diversity: Low
Leans Traditional
7.1
Confessions of a Dangerous Mind
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Sugarland Express
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.6
In Bruges
(2008)
Political: Center
Diversity: Low
Traditional
7.8
Heathers
(1989)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.3
How to Steal a Million
(1966)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Thin Man
(1934)
Political: Center
Diversity: Low
Leans Traditional
7.7
To Die For
(1995)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.6
Murder by Death
(1976)
Political: Center
Diversity: Low
LGBTQ: Negative