6.3
Viewer Rating
Combines user and critic ratings from four sources
The Last Kingdom: Seven Kings Must Die (2023)
The Last Kingdom: Seven Kings Must Die (2023)
Overview
In the wake of King Edward's death, Uhtred of Bebbanburg and his comrades adventure across a fractured kingdom in the hopes of uniting England at last.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Leans Right
Diversity: Moderate
Christianity: Positive
Viewer Rating
6.3
Overview
In the wake of King Edward's death, Uhtred of Bebbanburg and his comrades adventure across a fractured kingdom in the hopes of uniting England at last.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central narrative champions the unification of England under a strong king, emphasizing duty, loyalty, and the establishment of order and national identity as the solution to widespread conflict, aligning with conservative values.
The movie maintains a historically consistent cast without explicit race or gender swaps of traditionally white roles. Its narrative focuses on historical conflicts and character development, rather than offering a critical portrayal of traditional identities or making explicit DEI themes central to the story.
Secondary
The film portrays Christianity with significant nuance, showcasing both the genuine faith and moral strength of many adherents, alongside the hypocrisy and power-seeking of some church leaders. The narrative ultimately respects the faith's role in society and individual lives, critiquing flawed individuals rather than the religion itself.
The film does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on historical events, battles, and political struggles, with no explicit or implicit LGBTQ+ representation present in the storyline or character arcs.
There is not enough publicly available information for AI to assess this category for this movie.
The film primarily focuses on male characters in combat roles. While female characters are present, none are depicted engaging in or winning close-quarters physical combat against one or more male opponents using skill, strength, or melee weapons.
The film continues the narrative of established characters from 'The Last Kingdom' series and 'The Saxon Stories' novels. No significant characters who were canonically, historically, or widely established as one gender are portrayed as a different gender in this installment.
Based on the historical setting (9th-10th century England) and the established portrayals of characters in the source material and preceding series, there are no instances of a character canonically or historically established as one race being portrayed as a different race in the film.
Viewer Rating Breakdown
User Ratings
6.9
7.2
Critic Ratings
N/A
4.8
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