Leans Traditional
8.3
Kagemusha
(1980)
Political: Center
Diversity: Low
The Man from the Moon (1951)
The Man from the Moon (1951)
Overview
O-Kiyo (Mitsuko Mito), who had escaped from her boss, Shoden, who controlled the Sensoji Temple district, was desperately contemplating suicide when she was rescued by ronin Kojuro Tozawa (Kazuo Hasegawa), who hid her in a dilapidated apartment building. The Shoden clan desperately searched for O-Kiyo, but Kojuro found a huge sum of 50 ryo and ransomed O-Kiyo. Unable to accept this outcome, the enraged Shoden clan attempted to win the favor of constable Jinnosuke Nakayama (Kusuo Abe), seeking to demolish the dilapidated building and transform the area into a pleasure district. However, Kojuro thwarted their plans, bringing joy to the poor residents of the building. After demonstrating his remarkable skills, Kojiro revealed his true identity - he was a prominent hatamoto.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
Not Rated
Overview
O-Kiyo (Mitsuko Mito), who had escaped from her boss, Shoden, who controlled the Sensoji Temple district, was desperately contemplating suicide when she was rescued by ronin Kojuro Tozawa (Kazuo Hasegawa), who hid her in a dilapidated apartment building. The Shoden clan desperately searched for O-Kiyo, but Kojuro found a huge sum of 50 ryo and ransomed O-Kiyo. Unable to accept this outcome, the enraged Shoden clan attempted to win the favor of constable Jinnosuke Nakayama (Kusuo Abe), seeking to demolish the dilapidated building and transform the area into a pleasure district. However, Kojuro thwarted their plans, bringing joy to the poor residents of the building. After demonstrating his remarkable skills, Kojiro revealed his true identity - he was a prominent hatamoto.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's title, 'The Man from the Moon,' does not inherently suggest any political themes, and without further plot or thematic details, it is impossible to discern any specific political bias, leading to a neutral rating.
This Japanese film is evaluated as having light DEI characteristics. Its casting is considered neutral, as it is a Japanese production with no indication of explicit race or gender swaps of traditionally white roles. The narrative also receives a neutral assessment due to the absence of specific plot details that would suggest a critique of traditional identities or explicit DEI themes.
Secondary
Based on available information, 'Tsuki kara kita otoko' does not appear to include any identifiable LGBTQ+ characters or themes, leading to an N/A rating for its portrayal within the framework.
Based on available plot summaries and cast information for "The Man from the Moon" (1951), there are no identifiable transsexual characters or themes present in the film's narrative. The story primarily focuses on romantic drama involving cisgender characters.
The movie does not contain any action or adventure elements.
The film "Tsuki kara kita otoko" (1951) does not appear to be an adaptation of a pre-existing work with canonically established characters, nor is it a biopic or reboot. Therefore, there is no prior baseline to determine if any character's gender was swapped.
This 1951 Japanese film is an original production and not an adaptation of existing material with pre-established characters of a different race. There is no indication of any character being canonically or historically established as one race and then portrayed as another.
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