5.3
Viewer Rating
Combines user and critic ratings from four sources
The Master Mind (1914)
The Master Mind (1914)
Overview
The defense attorney who was unable to obtain the acquittal of an innocent young man concocts a complicated and diabolical scheme to get revenge on the prosecutor.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
5.3
Overview
The defense attorney who was unable to obtain the acquittal of an innocent young man concocts a complicated and diabolical scheme to get revenge on the prosecutor.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central conflict revolves around individual crime and the pursuit of justice, focusing on personal motivations and the re-establishment of order rather than promoting specific progressive or conservative ideologies. The narrative is primarily concerned with individual actions and their repercussions within a legal framework.
The movie features traditional casting with a predominantly white cast, consistent with films of its era. Its narrative maintains a neutral or positive framing of traditional identities, without engaging in critiques of these roles or incorporating explicit DEI themes.
Secondary
The 1914 silent film 'The Master Mind' tells a story of revenge and redemption within a conventional dramatic framework. Its plot, character development, and thematic elements are entirely focused on heterosexual relationships and societal norms of its era, with no identifiable LGBTQ+ characters or themes present in the narrative.
The film "The Master Mind" (1914) is a crime drama that does not feature any identifiable transsexual characters or themes. Its narrative focuses on a criminal mastermind and a detective, without exploring aspects of gender identity or transition.
The movie does not contain any action or adventure elements.
The 1914 film "The Master Mind" is an adaptation of Daniel D. Carter's 1913 play of the same name. There is no evidence to suggest that any character's gender was changed from the original source material for the film adaptation.
There is no evidence that any character in 'The Master Mind' (1914) was canonically, historically, or widely established as one race and then portrayed on screen as a different race. The film predates the common context for such changes.
Viewer Rating Breakdown
User Ratings
5.3
N/A
Critic Ratings
N/A
N/A
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