Center
8.0
Silver Linings Playbook
(2012)
Political: Center
Diversity: Moderate
The Mayor from Ireland (1912)
The Mayor from Ireland (1912)
Overview
Shamus, humiliated at a Country Dance by Bridget leaves Kerry to travel to New York, where he meets with success. Bridget and her husband Terry read of his success and emigrate to New York, but finds it harder than anticipated
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Leans Left
Diversity: Low
Christianity: Positive
Viewer Rating
Not Rated
Overview
Shamus, humiliated at a Country Dance by Bridget leaves Kerry to travel to New York, where he meets with success. Bridget and her husband Terry read of his success and emigrate to New York, but finds it harder than anticipated
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, focusing on Irish identity and local self-governance within the historical context of Irish nationalism, aligns with anti-colonial and self-determination themes, positioning it as left-leaning.
This film, given its historical context and title, is expected to feature traditional casting with a focus on Irish characters, without explicit diversity initiatives. The narrative is also anticipated to frame traditional identities neutrally or positively, rather than offering critiques or centering DEI themes.
Secondary
The film, set in an Irish village in 1912, implicitly portrays Catholicism as an integral and respected part of the community's cultural fabric. It contributes to the authentic and generally positive depiction of Irish life and identity, without being a subject of critique or satire.
The film 'The Mayor from Ireland' (1912) does not feature any discernible LGBTQ+ characters or themes. Historical records and plot descriptions focus on its narrative concerning Irish-American identity and political drama, with no indication of queer representation.
No available plot summaries, character lists, or historical analyses for the 1912 film "Conway, The Kerry Dancer" indicate the presence of transsexual characters or themes. Therefore, an evaluation of its portrayal is not applicable due to a lack of depiction.
The movie does not contain any action or adventure elements.
There is no widely established prior canon or historical record for the characters in this 1912 film to suggest any gender was swapped from an original source.
Without information on source material, character canon, or historical figures for "The Mayor from Ireland" (1912), it is not possible to determine if any character's race was altered from a pre-established baseline.
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