Progressive
6.6
Stolen: Heist of the Century
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Diversity: Not Rated
The Mountain (1947)
The Mountain (1947)
Overview
A film on mountain-climbing in Grand Teton National Park, Wyo. Glenn Exum, Virginia Garner, and Paul Petzoldt demonstrate mountaineering techniques and equipment. They reach the peak, shake hands, and rappel and glissade to base of mountain.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Leans Left
Diversity: Moderate
Christianity: Positive
Judaism: Positive
Viewer Rating
Not Rated
Overview
A film on mountain-climbing in Grand Teton National Park, Wyo. Glenn Exum, Virginia Garner, and Paul Petzoldt demonstrate mountaineering techniques and equipment. They reach the peak, shake hands, and rappel and glissade to base of mountain.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis promotes the United Nations as the solution to global conflict, emphasizing international cooperation and multilateralism, themes that align with progressive values for global governance.
This 1945 documentary, produced during WWII, features a cast representative of a unified America, reflecting the diversity of the era without explicitly recasting traditional roles. Its narrative primarily focuses on national unity and the war effort, presenting traditional identities in a positive or neutral light without critical commentary.
Secondary
The film, advocating for global unity and the United Nations, portrays adherents of Christianity as part of the diverse human community working towards international peace. The narrative implicitly affirms the dignity of the faith by including it respectfully within this vision of a unified world.
The film, advocating for global unity and the United Nations, portrays adherents of Judaism as part of the diverse human community working towards international peace. The narrative implicitly affirms the dignity of the faith by including it respectfully within this vision of a unified world.
Based on the information available, 'The Ramparts' does not present identifiable LGBTQ+ characters or themes, leading to an N/A classification for its portrayal in this evaluation.
Based on the information provided, there is no identifiable depiction of transsexual characters or themes in 'Marginal Weather Accidents'. Therefore, the film's portrayal is rated as N/A, indicating an absence of relevant content for evaluation.
The movie does not contain any action or adventure elements.
The Ramparts is a 1947 documentary short film about the history of the United States. There is no evidence of specific named characters from established source material or historical records being portrayed with a different gender.
As a 1947 documentary about the United Nations, "The Ramparts" does not feature fictional characters with established canonical races from source material, nor does it adapt specific historical figures whose race could be altered. Therefore, no race swaps are present.
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