6.1
Viewer Rating
Combines user and critic ratings from four sources
The Passion of the Christ (2004)
The Passion of the Christ (2004)
Overview
A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Strong Right
Diversity: Low
Christianity: Positive
Judaism: Negative
Viewer Rating
6.1
Overview
A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film explicitly promotes traditional Christian doctrine, emphasizing individual sin, atonement through Christ's sacrifice, and a literal interpretation of biblical events, which are core tenets aligning with conservative values in the US context.
The film features casting that largely aligns with traditional Western portrayals of its historical figures, without intentional race or gender swaps for diversity. Its narrative focuses on the religious story of the crucifixion, and it does not incorporate modern DEI themes or critiques of traditional identities.
Secondary
The film portrays Jesus Christ and his followers with profound reverence and deep sympathy, focusing on his suffering and sacrifice as a central, affirming event for Christian faith.
The film depicts the Jewish Sanhedrin and the Jewish crowd as the primary instigators and agents of Jesus's crucifixion, perpetuating the problematic historical narrative of Jewish collective guilt for deicide without significant narrative counterbalancing.
The Passion of the Christ is a religious drama centered on the crucifixion of Jesus. The narrative does not feature any identifiable LGBTQ+ characters or themes, resulting in no portrayal to evaluate within this framework.
The Passion of the Christ does not feature any identifiable transsexual characters or explore themes related to transsexual identity. The film's narrative is solely dedicated to the biblical account of Jesus' crucifixion, resulting in no relevant portrayal for evaluation.
The movie does not contain any action or adventure elements.
The film portrays all major biblical and historical figures consistent with their established genders. The character of Satan, while portrayed by a female actor, is depicted with an androgynous appearance, and the canonical gender of such a spiritual entity is often considered ambiguous, thus not constituting a clear gender swap.
The film portrays biblical and historical figures from the Middle East and Roman Empire with actors whose appearances generally align with the established racial and ethnic contexts of those characters and regions. No instances of a character canonically or historically established as one race being portrayed as a different race were identified.
Viewer Rating Breakdown
User Ratings
7.3
7.5
Critic Ratings
4.9
4.7
More Like This
Leans Traditional
7.2
The Count of Monte Cristo
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.2
Apocalypto
(2006)
Political: Leans Right
Diversity: Moderate
Traditional
7.7
Braveheart
(1995)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.8
The Trial
(1962)
Political: Center
Diversity: Low
Leans Traditional
8.0
Rocky
(1976)
Political: Leans Right
Diversity: Moderate
Traditional
7.9
Mr. Smith Goes to Washington
(1939)
Political: Leans Right
Diversity: Low
Traditional
8.8
Sunrise: A Song of Two Humans
(1927)
Political: Leans Right
Diversity: Low
Leans Traditional
8.8
The Apartment
(1960)
Political: Center
Diversity: Low
Leans Traditional
7.5
The War of the Roses
(1989)
Political: Center
Diversity: Low
Traditional
7.3
Seabiscuit
(2003)
Political: Leans Right
Diversity: Low
Traditional
8.7
A Streetcar Named Desire
(1951)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.7
Her Smell
(2019)
Political: Center
Diversity: Low
Traditional
7.1
The Forge
(2024)
Political: Strong Right
Diversity: Moderate
Traditional
8.3
A Bronx Tale
(1993)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
First Man
(2018)
Political: Center
Diversity: Low
Leans Traditional
7.0
Escape from Terror: The Teresa Stamper Story
(1995)
Political: Center
Diversity: Low
Traditional
8.5
High Noon
(1952)
Political: Leans Right
Diversity: Low
Traditional
7.3
The Courier
(2020)
Political: Leans Right
Diversity: Low
Traditional
7.6
Sully
(2016)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Alpha
(2018)
Political: Center
Diversity: Low