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The Wedding Unplanner (2020)
Marina is a woman in her thirties who works organizing weddings. Not because she is an inveterate romantic just because, as she says, "when people are in love, they don't care about money". Unlike her customers, she enjoys a life without ties or commitments, until the moment when she falls in love with Carlos. The problem is not only he is about to get married, but also his fiancee is Marina's childhood friend and they have hired her as their Wedding Planner.
Marina is a woman in her thirties who works organizing weddings. Not because she is an inveterate romantic just because, as she says, "when people are in love, they don't care about money". Unlike her customers, she enjoys a life without ties or commitments, until the moment when she falls in love with Carlos. The problem is not only he is about to get married, but also his fiancee is Marina's childhood friend and they have hired her as their Wedding Planner.
The film's central focus on personal romantic relationships and individual emotional journeys is inherently apolitical. It does not promote or critique any specific political ideology, instead concentrating on universal themes of love, heartbreak, and self-discovery.
The movie features a traditional Spanish cast without explicit DEI-driven casting choices or race/gender swaps. Its romantic comedy narrative does not include critical portrayals of traditional identities or central DEI themes.
The film 'The Wedding Unplanner' is a romantic comedy centered on heterosexual relationships and wedding planning. The narrative does not feature any identifiable LGBTQ+ characters or themes, leading to no specific portrayal to evaluate within the scope of this framework.
The film 'The Wedding Unplanner' does not feature any identifiable transsexual characters or themes. Its narrative primarily focuses on a gay protagonist and includes a drag queen character, but no elements related to transsexual identity are present within the story.
The movie does not contain any action or adventure elements.
The film is not identified as an adaptation of existing material, a reboot with legacy characters, or a biopic. Therefore, its characters do not have prior canonical or historical genders that could be swapped.
This is an original Spanish film, not an adaptation of pre-existing material or a biopic. Therefore, its characters do not have a prior established race from source material or history for a race swap to occur.
Combines user and critic ratings from four sources























