6.6
Viewer Rating
Combines user and critic ratings from four sources
The Woman I Love (1937)
The Woman I Love (1937)
Overview
In World War I France, a pilot falls in love with the wife of his friend and superior officer.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.6
Overview
In World War I France, a pilot falls in love with the wife of his friend and superior officer.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a romantic drama set during World War I, focusing on a love triangle and the personal sacrifices made during wartime. Its central themes are apolitical, emphasizing individual emotions, duty, and the tragic nature of love and loss rather than promoting any specific political ideology or solution.
This 1937 romantic drama features traditional casting, consistent with its era, showing no intentional race or gender swaps of traditionally white roles. The narrative presents traditional identities in a neutral or positive light, without engaging in critical portrayals or explicit DEI themes.
Secondary
The film "The Woman I Love" is a 1937 romantic drama set during World War I, focusing on a heterosexual love triangle. There are no identifiable LGBTQ+ characters or themes present within the narrative, resulting in no depiction of queer identity or experiences.
The film "The Woman I Love" (1937) is a romantic drama centered on a love triangle involving a pilot, his wife, and another man. There are no identifiable transsexual characters or themes present in the narrative, nor does the plot touch upon gender identity or transition in any capacity.
The movie does not contain any action or adventure elements.
The film "The Woman I Love" (1937) features original characters not based on prior canon or historical figures with established genders. Therefore, no gender swaps occur.
The film is an adaptation of a French novel featuring French characters, who are implicitly white. The actors cast in the 1937 film are also white, aligning with the source material's implied racial depiction. No race swap is identified.
Viewer Rating Breakdown
User Ratings
6.6
N/A
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
6.7
Goodbye Again
(1961)
Political: Center
Diversity: Low
Traditional
6.5
The Journey
(1959)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
Anastasia
(1956)
Political: Center
Diversity: Low
Leans Traditional
6.8
Her Smell
(2019)
Political: Center
Diversity: Low
Leans Traditional
7.4
The Way Way Back
(2013)
Political: Center
Diversity: Low
Leans Traditional
8.8
Inside Out
(2015)
Political: Center
Diversity: Low
Traditional
7.1
Two Weeks in Another Town
(1962)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.9
Big City
(1937)
Political: Center
Diversity: Low
Traditional
7.3
A Season for Miracles
(1999)
Political: Leans Right
Diversity: Low
Leans Traditional
7.6
Belfast
(2021)
Political: Center
Diversity: Low
Leans Traditional
7.1
Betrayal
(1983)
Political: Center
Diversity: Low
Leans Traditional
7.6
The Mysterious Lady
(1928)
Political: Center
Diversity: Low
Leans Traditional
7.8
Beasts of the Southern Wild
(2012)
Political: Leans Right
Diversity: Moderate
Traditional
6.6
Daddy-Long-Legs
(1919)
Political: Leans Right
Diversity: Low
Traditional
7.9
The Court-Martial of Billy Mitchell
(1955)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
Tumbleweeds
(1999)
Political: Center
Diversity: Low
Leans Traditional
8.5
Gravity
(2013)
Political: Center
Diversity: Low
Leans Traditional
7.7
Summertime
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.3
Saving Mr. Banks
(2013)
Political: Center
Diversity: Low
Leans Traditional
6.6
When Innocence Is Lost
(1997)
Political: Center
Diversity: Low