6.3
Viewer Rating
Combines user and critic ratings from four sources
To Wong Foo, Thanks for Everything! Julie Newmar (1995)
To Wong Foo, Thanks for Everything! Julie Newmar (1995)
Overview
Manhattan drag queens Vida Boheme and Noxeema Jackson impress regional judges in competition, securing berths in the Nationals in Los Angeles. When the two meet pathetic drag novice Chi-Chi Rodriguez — one of the losers that evening — the charmed Vida and Noxeema agree to take the hopeless youngster under their joined wing. Soon the three set off on a madcap road trip across America and struggle to make it to Los Angeles in time.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Leans Left
Diversity: High
LGBTQ: Positive
Christianity: Positive
Viewer Rating
6.3
Overview
Manhattan drag queens Vida Boheme and Noxeema Jackson impress regional judges in competition, securing berths in the Nationals in Los Angeles. When the two meet pathetic drag novice Chi-Chi Rodriguez — one of the losers that evening — the charmed Vida and Noxeema agree to take the hopeless youngster under their joined wing. Soon the three set off on a madcap road trip across America and struggle to make it to Los Angeles in time.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film is left-leaning due to its central focus on LGBTQ+ acceptance, challenging traditional gender roles, and empowering marginalized individuals, advocating for social transformation through empathy and self-expression.
The movie prominently features a diverse lead cast portraying drag queens, centering on non-traditional gender expression and racial diversity. Its narrative explicitly critiques traditional societal norms by showing how the drag queens' presence positively transforms a conservative small town, empowering its residents and challenging conventional identities.
Secondary
To Wong Foo, Thanks for Everything! Julie Newmar offers a largely positive and affirming portrayal of drag queens. The protagonists are depicted as dignified, complex characters who inspire self-acceptance and community, with the narrative consistently siding with them against prejudice. The film celebrates self-expression and kindness, affirming the worth of their identities.
The film depicts a conservative, implicitly Christian town that initially struggles with prejudice. However, the narrative champions the transformation of the townspeople towards acceptance and compassion, aligning with positive virtues often associated with faith without critiquing Christianity itself.
The film 'To Wong Foo, Thanks for Everything! Julie Newmar' features cisgender men who are drag queens, exploring themes of performance, self-expression, and community. It does not include identifiable transsexual characters or themes directly related to transsexual identity or experiences. Consequently, the film's portrayal of transsexual characters and themes is not applicable.
The movie does not contain any action or adventure elements.
The film features original characters who are men portraying drag queens as part of the narrative. This is considered gender disguise within the story, not a gender swap of a previously established character from source material or history.
The film features original characters created for this specific movie, with no prior canonical or historical race established in source material, previous installments, or real-world history. Therefore, no race swap occurred.
Viewer Rating Breakdown
User Ratings
6.8
7.4
Critic Ratings
4.9
6.0
More Like This
Progressive
7.0
Bulworth
(1998)
Political: Strong Left
Diversity: High
Leans Progressive
6.5
Fatherhood
(2021)
Political: Center
Diversity: High
Progressive
7.5
Bob Roberts
(1992)
Political: Strong Left
Diversity: High
Center
6.8
Sweet Charity
(1969)
Political: Center
Diversity: Moderate
Progressive
7.6
The Watermelon Woman
(1997)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Progressive
7.1
Diary of a Mad Housewife
(1970)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.4
The Holdovers
(2023)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Progressive
7.3
Out
(2020)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Progressive
7.6
Little Big Man
(1970)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Progressive
7.9
Stormy Weather
(1943)
Political: Leans Left
Diversity: High
Progressive
7.7
A Different Man
(2024)
Political: Strong Left
Diversity: High
Leans Progressive
7.7
Beginners
(2011)
Political: Leans Left
Diversity: Low
LGBTQ: Positive
Leans Progressive
6.7
Nick and Norah's Infinite Playlist
(2008)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Progressive
7.1
Real Women Have Curves
(2002)
Political: Strong Left
Diversity: High
Leans Progressive
7.0
Slums of Beverly Hills
(1998)
Political: Leans Left
Diversity: Low
LGBTQ: Positive
Leans Progressive
7.5
Come As You Are
(2020)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.9
The Longest Yard
(1974)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.5
Away We Go
(2009)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.1
The Idea of You
(2024)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.1
Jules
(2023)
Political: Leans Left
Diversity: Low
LGBTQ: Positive