Leans Traditional
8.0
Opouštět Petrohrad
(1991)
Political: Center
Diversity: Low
Třicet stříbrných (1954)
Třicet stříbrných (1954)
Overview
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Negative
Viewer Rating
Not Rated
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's title, 'The Stubborn Woman,' and the complete absence of specific plot details or thematic context prevent the identification of any inherent political valence in its subject matter or the nature of its narrative solution, leading to a neutral rating.
Based on the absence of specific information regarding casting or narrative elements, this evaluation assumes a traditional approach to character representation and framing of identities. The film is presumed to feature conventional casting without explicit diversity initiatives and a narrative that does not critically portray traditional identities.
Secondary
The film's title, 'Thirty Pieces of Silver,' and its origin in communist Czechoslovakia (1954) strongly indicate a critical portrayal of Christianity. It likely uses the biblical reference to highlight themes of betrayal, greed, or hypocrisy within religious institutions, aligning with anti-religious state propaganda.
Based on the information provided, the film "Tvrdohlavá žena" by Antonín Dvořák does not contain identifiable LGBTQ+ characters or themes. Therefore, no specific portrayal can be evaluated, resulting in a 'N/A' rating for its net impact on LGBTQ+ representation.
Based on the complete lack of available information regarding the film 'Třicet stříbrných' (1954), it is not possible to evaluate its portrayal of transsexual characters or themes. Consequently, no depiction can be identified, and the film is rated N/A.
The movie does not contain any action or adventure elements.
This 1954 film is an adaptation of a traditional Czech folk opera. Research indicates that the main characters' genders in the film align with their established genders in the source material, with no instances of canonical characters being portrayed as a different gender.
This 1954 Czech film is an adaptation of a classic Czech play. All characters are implicitly white Czechs, and the cast consists entirely of white Czech actors, with no indication of any character being portrayed by an actor of a different race than established by the source material or historical context.
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