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Under Paris (2024)
In order to save Paris from an international bloodbath, a grieving scientist is forced to face her tragic past when a giant shark appears in the Seine.
In order to save Paris from an international bloodbath, a grieving scientist is forced to face her tragic past when a giant shark appears in the Seine.
The film delivers a stark environmental warning, depicting a mutated shark's invasion of Paris as a direct consequence of human pollution and ecological neglect. It critiques political leaders who prioritize economic events and public image over scientific warnings, leading to catastrophic outcomes.
The film features a diverse cast, but it does not involve explicit recasting of traditionally white roles with minority actors. Its narrative focuses on an ecological thriller without explicitly critiquing traditional identities or making DEI themes central to the story.
Under Paris is a creature feature focused on a shark attack in the Seine, with its narrative primarily driven by action and crisis management. The film does not meaningfully explore or comment on family structures, roles, or values, rendering family content peripheral to the main plot.
The film does not feature any identifiable LGBTQ+ characters or themes within its narrative. The story focuses on other thematic elements without incorporating queer representation.
Under Paris, 2024 does not feature identifiable transsexual characters or themes within its narrative. The film focuses on a shark attack in the Seine River during a triathlon, with its plot centered on survival and the efforts to neutralize the threat. The story does not incorporate any elements related to transsexual identity or experiences.
The film centers on a scientist and an environmental activist confronting a shark in the Seine River. Combat sequences primarily involve interactions with the aquatic predator. Female characters do not engage in or achieve victory in close-quarters physical combat against male human opponents.
Under Paris is an original film featuring newly created characters. It is not an adaptation of existing source material, a biopic, or a reboot of legacy characters. Consequently, no characters undergo a gender swap from a previously established canon.
The film features original characters created for this production. There are no instances where a character, previously established as a specific race in source material or history, is portrayed on screen as a different race.
Combines user and critic ratings from four sources























