Viewer Rating
Combines user and critic ratings from four sources

Untitled Home Invasion Romance (2026)
Black comedy thriller about Kevin (Jason Biggs), who stages a fake home invasion on a romantic getaway to revive his failing marriage to Suzie (Meaghan Rath). Directed by Jason Biggs in his feature debut from a screenplay that won Script Pipeline's 2017 contest. Co-starring Anna Konkle as Heather.
Black comedy thriller about Kevin (Jason Biggs), who stages a fake home invasion on a romantic getaway to revive his failing marriage to Suzie (Meaghan Rath). Directed by Jason Biggs in his feature debut from a screenplay that won Script Pipeline's 2017 contest. Co-starring Anna Konkle as Heather.
The film's core conflict revolves around a couple's failing marriage and a botched attempt to revive it, emphasizing individual actions and their fallout without advancing any political ideology. This apolitical focus on personal relationships determines the neutral rating.
The film includes diverse supporting actors from Asian and Latino backgrounds alongside white leads in the main roles, adhering to traditional casting without recasting traditionally white characters. Its narrative examines relationship dynamics in a heterosexual marriage through comedic mishaps, without critiquing traditional identities or centering DEI themes.
Suzie engages in direct physical combat against a male intruder, defeating him through violent means in a key confrontation scene. No other significant female combat feats occur.
The film presents a failing marriage as fragile and superficial, with the wife's independence subverting traditional gender roles during a chaotic reconciliation attempt, but ultimately values the partnership without critiquing or endorsing specific family norms. This balanced yet nuanced view of marital struggles, absent broader family dynamics, leads to a neutral rating.
No LGBTQ+ characters or themes appear in the film.
No transgender characters or themes appear in the film. The story centers on a couple's failing marriage and a botched staged home invasion, with no elements involving trans identity or representation.
The film presents an original story of a staged home invasion to revive a marriage, featuring newly created characters without ties to prior canon, historical figures, or adaptations that would enable gender swaps.
As an original film with newly created characters lacking prior canonical racial depictions, no instances of race swaps occur in the casting.
Combines user and critic ratings from four sources























