5.8
Viewer Rating
Combines user and critic ratings from four sources
Warlord (2025)
Warlord (2025)
Overview
Revolt is on the horizon in the ancient city of Lloris, ruled with an iron fist by the merciless Sheriff and The Brute. Believing their mystical powers could help free the oppressed citizens from tyranny, a young human seeks out the aid of the reclusive elves and their legendary Warlord. However, with both sides harbouring secrets, and hiding their true motives, this tentative alliance between the humans and elves may bring about the downfall of them all.
Starring Cast
Where to watch
Apple TVRating & Dimensions
Bias Rating
Analyzing...
Center
Political: Leans Left
Diversity: Low
Viewer Rating
5.8
Overview
Revolt is on the horizon in the ancient city of Lloris, ruled with an iron fist by the merciless Sheriff and The Brute. Believing their mystical powers could help free the oppressed citizens from tyranny, a young human seeks out the aid of the reclusive elves and their legendary Warlord. However, with both sides harbouring secrets, and hiding their true motives, this tentative alliance between the humans and elves may bring about the downfall of them all.
Starring Cast
Where to watch
Apple TVDetailed Bias Analysis
Analyzing...
Center
Primary
The film is left-leaning due to its central narrative of rebellion against an oppressive, over-taxing authority and its focus on class conflict between ruling powers and exploited common citizens, echoing themes of systemic injustice and the need for collective resistance.
The movie features primarily traditional casting, with no explicit non-white actors identified in top billing or intentional race/gender swaps for diversity, equity, and inclusion purposes. Its narrative explores themes of oppression and resistance, inspired by classic tales like Robin Hood, but does not explicitly critique traditional identities or center DEI themes.
Secondary
Based on available information, 'Warlord, 2025' does not feature any identifiable LGBTQ+ characters or themes. Plot summaries, character lists, reviews, and trailer dialogue consistently indicate a focus on traditional fantasy elements and elf-human tensions, with no mention of queer representation.
The film 'Warlord' (2025) does not appear to feature any transsexual characters or themes. Extensive web search information, including plot summaries and reviews, indicates no elements related to transsexual ideas, gender transformation, or sexual transformation are present in the movie's narrative or character portrayals.
Available information for Warlord (2025) indicates no specific combat scenes where female characters are detailed as defeating one or more male opponents in close-quarters physical combat. Reviews note minimal and restrained action sequences overall, without descriptions of such individual fights.
The provided information does not indicate any source material or prior canon for the characters in "Warlord (2025)." Without established original genders to compare against, it is not possible to identify any instances of a gender swap.
The film 'Warlord' is an original fantasy production set in a fictional realm. There is no prior source material, historical record, or established canon for any character's race. Therefore, no character can be considered to have undergone a race swap.
Viewer Rating Breakdown
User Ratings
5.0
6.7
Critic Ratings
N/A
N/A
More Like This
Progressive
7.0
The Kid Who Would Be King
(2019)
Political: Center
Diversity: High
Leans Progressive
7.5
Harry Potter and the Order of the Phoenix
(2007)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.8
Harry Potter and the Half-Blood Prince
(2009)
Political: Leans Left
Diversity: Moderate
Leans Traditional
7.5
Harry Potter and the Philosopher's Stone
(2001)
Political: Center
Diversity: Low
Center
8.3
Harry Potter and the Prisoner of Azkaban
(2004)
Political: Center
Diversity: Low
Female Combat: Yes
Center
8.1
Harry Potter and the Goblet of Fire
(2005)
Political: Leans Left
Diversity: Low
Traditional
6.8
Excalibur
(1981)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Licence to Kill
(1989)
Political: Leans Right
Diversity: Moderate
Traditional
7.1
Thunderball
(1965)
Political: Leans Right
Diversity: Low
Traditional
8.4
Goldfinger
(1964)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Traditional
6.8
The Chronicles of Narnia: The Silver Chair
(1990)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
Dr. No
(1962)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
On Her Majesty's Secret Service
(1969)
Political: Center
Diversity: Low
Leans Traditional
7.3
The Wind in the Willows
(1983)
Political: Center
Diversity: Low
Traditional
8.1
From Russia with Love
(1963)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.6
Monty Python and the Holy Grail
(1975)
Political: Center
Diversity: Low
Leans Traditional
6.8
Labyrinth
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.7
The Man from U.N.C.L.E.
(2015)
Political: Center
Diversity: Low
Leans Progressive
7.1
Fantastic Beasts and Where to Find Them
(2016)
Political: Leans Left
Diversity: Moderate
Center
7.4
Harry Potter and the Chamber of Secrets
(2002)
Political: Leans Left
Diversity: Low