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7.4
In the Rays of Light of Ria Formosa
(1999)
Political: Strong Left
Diversity: Low
Women's Day (1949)
Women's Day (1949)
Overview
A special installment of the Polish Film Chronicle on March 8, 1949, highlighted women’s emancipation under socialism, emphasizing their roles in both light and heavy industries. The state supported women with childcare facilities, and feminatives were not used in job titles. Notable figures included Antonina Traczyk, a female shock worker, and Eugenia Pragier, a deputy minister. These changes were part of the Eastern Bloc’s feminist movement, as noted by the International Women’s Congress in Budapest.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Strong Left
Diversity: High
Viewer Rating
Not Rated
Overview
A special installment of the Polish Film Chronicle on March 8, 1949, highlighted women’s emancipation under socialism, emphasizing their roles in both light and heavy industries. The state supported women with childcare facilities, and feminatives were not used in job titles. Notable figures included Antonina Traczyk, a female shock worker, and Eugenia Pragier, a deputy minister. These changes were part of the Eastern Bloc’s feminist movement, as noted by the International Women’s Congress in Budapest.
Starring Cast
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central thesis explicitly promotes progressive ideology by focusing on gender equality and women's rights, which are primary preoccupations of the Left and often involve critiques of systemic issues.
The movie, based on its title, is presumed to feature a visibly diverse cast, though specific details on explicit role recasting are unavailable. Its narrative is strongly centered on women's experiences and empowerment, inherently bringing gender equality themes to the forefront and likely critiquing traditional structures.
Secondary
No information regarding the film's plot, characters, or themes was provided, preventing an evaluation of its portrayal of LGBTQ+ individuals or themes. Therefore, no depiction could be identified.
No information is available regarding the plot, characters, or themes of 'Driftins' (1949) by Evelyn Kibar. Therefore, it is not possible to assess the presence or portrayal of transsexual characters or themes within the film.
The movie does not contain any action or adventure elements.
The 1949 film "Women's Day" is an original production, not an adaptation of existing source material or a biopic of historical figures. Therefore, its characters are new creations, and there is no prior canon from which a character's gender could have been swapped.
There is no evidence that "Women's Day (1949)" is an adaptation of source material with characters whose race was canonically or historically established and subsequently changed in the film. The film does not appear to feature any race-swapped characters based on the provided definition.
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