Center
7.3
Banat Hawaa
(1954)
Political: Center
Diversity: Moderate
القافلة تسير (1951)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Ilham is a wealthy girl. Her uncle Hassan Bey seizes her money during her guardianship period. When the guardianship period ends, Ilham decides to marry a young man who works hard in his life. As a result of her cousin’s rejection and her marriage to the young man Samir, her uncle Hassan Bey is looking forward to To separate them, he claims his death, but the matter becomes clear later.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Christianity: Positive
Islam: Positive
Overview
Ilham is a wealthy girl. Her uncle Hassan Bey seizes her money during her guardianship period. When the guardianship period ends, Ilham decides to marry a young man who works hard in his life. As a result of her cousin’s rejection and her marriage to the young man Samir, her uncle Hassan Bey is looking forward to To separate them, he claims his death, but the matter becomes clear later.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
No specific thematic elements or narrative context were provided for the film "without farewell," precluding an objective assessment of its political bias. Therefore, a neutral rating is assigned due to the absence of analyzable content.
The movie's casting is expected to reflect the natural diversity of its cultural context, without explicit race or gender swaps of roles traditionally defined as 'white' in a Western context. The narrative is presumed to maintain a neutral or positive framing of traditional identities, rather than offering explicit critique.
Secondary
If depicted, the film likely portrays Christianity and its adherents with respect, reflecting the societal coexistence and dignity of the faith within the Egyptian context of the era.
As an Egyptian film from 1951, the narrative likely portrays Islam as an integral and respected part of the cultural and moral landscape, with characters adhering to its principles or finding solace in their faith, without narrative critique of the religion itself.
Based on the lack of available information, the film 'without farewell' does not appear to feature any identifiable LGBTQ+ characters or themes, resulting in a 'N/A' rating for LGBTQ+ portrayal.
Due to the lack of available information regarding the film {القافلة تسير} (1951), it is not possible to evaluate its portrayal of transsexual characters or themes. No specific depictions could be identified.
The movie does not contain any action or adventure elements.
No source material or prior canonical character information is provided for the 1951 film "Without Farewell." Without a baseline for character genders, it is not possible to identify any instances of gender swapping.
There is no evidence that "Without Farewell" (1951) is an adaptation of source material or a biopic featuring characters whose race was canonically or historically established as different from their on-screen portrayal.
More Like This
Center
10.0
Adam Uncovered
(1990)
Political: Center
Diversity: Moderate
Center
7.8
The Beginning
(1986)
Political: Center
Diversity: Moderate
Center
7.7
Lock Up Your Daughters
(1980)
Political: Center
Diversity: Moderate
Center
7.0
Love has a Final Story
(1986)
Political: Leans Left
Diversity: Low
Center
7.8
Gone with No Return
(1984)
Political: Center
Diversity: Moderate
Center
6.9
Here's Cairo
(1985)
Political: Center
Diversity: Moderate
Center
7.0
Ka3balon
(1985)
Political: Center
Diversity: Moderate
Leans Progressive
6.7
Those Gentlemen
(1987)
Political: Strong Left
Diversity: Low
Leans Progressive
6.9
The Execution Squad
(1989)
Political: Leans Left
Diversity: Moderate
Center
6.8
This Was My Father's Crime
(1945)
Political: Center
Diversity: Moderate
Center
7.6
Stories of an Estranged
(1992)
Political: Center
Diversity: Moderate
Center
0.0
Tears at night
(1955)
Political: Center
Diversity: Moderate
Center
0.0
Confused life
(1948)
Political: Center
Diversity: Moderate
Center
0.0
Let me sing
(1950)
Political: Center
Diversity: Moderate
Center
2.9
Dalila
(1956)
Political: Center
Diversity: Moderate
Leans Traditional
0.0
My son
(1949)
Political: Center
Diversity: Low
Leans Traditional
0.0
The sad countryside
(1948)
Political: Center
Diversity: Low
Center
0.0
حب وإنسانية
(1956)
Political: Center
Diversity: Moderate
Leans Progressive
0.0
قبلني يا أبي
(1947)
Political: Strong Left
Diversity: Moderate