7.3
Viewer Rating
Combines user and critic ratings from four sources
Parannu Parannu Parannu (1984)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.3
Overview
Elizabeth (Sukumari) has just retired as a college sports coach. Heeding to the suggestions from her students, she starts a beauty parlour with her retirement money. Her son Emil (Rahman) and brother Vakkachan (Nedumudi Venu) assist her in this venture. However things don't start out well early, till the arrival of a skilled beautician Mini (Rohini). Business starts booming, but Emil soon starts getting curious about the mysteries surrounding Mini.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Hinduism: Positive
Overview
Elizabeth (Sukumari) has just retired as a college sports coach. Heeding to the suggestions from her students, she starts a beauty parlour with her retirement money. Her son Emil (Rahman) and brother Vakkachan (Nedumudi Venu) assist her in this venture. However things don't start out well early, till the arrival of a skilled beautician Mini (Rohini). Business starts booming, but Emil soon starts getting curious about the mysteries surrounding Mini.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Without specific plot details or thematic content of 'Parannu Parannu Parannu', a nuanced political bias assessment is not possible. The film is therefore assigned a neutral rating, assuming a focus on apolitical human experiences.
This 1984 Malayalam film features casting and narrative framing that align with traditional practices for its cultural context and era. It does not exhibit explicit diversity, equity, or inclusion elements as defined by the evaluation criteria.
Secondary
The film portrays the Christian protagonist's faith as an integral part of his identity, without critique. The narrative champions his right to love across religious lines, implicitly critiquing societal barriers to inter-religious marriage rather than the faith itself.
The film portrays the Hindu protagonist's faith as an integral part of her identity, without critique. The narrative champions her right to love across religious lines, implicitly critiquing societal barriers to inter-religious marriage rather than the faith itself.
The film 'Parannu Parannu Parannu' does not contain any identifiable LGBTQ+ characters or themes. Its narrative is centered on a conventional heterosexual romance, leading to a 'N/A' rating for LGBTQ+ portrayal.
The film "Parannu Parannu Parannu" (1984) does not feature any identifiable transsexual characters or themes. Its narrative focuses on other subjects, resulting in no portrayal of transsexual identity, either positive, negative, or neutral.
The movie does not contain any action or adventure elements.
There is no readily available information indicating that "Parannu Parannu Parannu" (1984) is an adaptation of a prior work or features historical figures whose genders were altered. All characters appear to be original to this film, thus no gender swaps are identified.
This 1984 film is an original production and not an adaptation of existing source material with pre-established character races, nor does it depict historical figures. Therefore, the concept of a race swap does not apply.
Viewer Rating Breakdown
User Ratings
6.7
8.0
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
7.2
Anaganaga Oka Roju
(1997)
Political: Center
Diversity: Low
Traditional
7.5
Major Chandrakanth
(1993)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
Kuch Kuch Hota Hai
(1998)
Political: Leans Right
Diversity: Moderate
Traditional
7.1
Border
(1997)
Political: Strong Right
Diversity: Low
Leans Traditional
7.5
Roja
(1992)
Political: Leans Right
Diversity: Moderate
Traditional
6.7
Aaina
(1993)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
Qayamat Se Qayamat Tak
(1988)
Political: Center
Diversity: Low
Leans Traditional
6.7
Hum Tum
(2004)
Political: Center
Diversity: Low
Traditional
8.8
Dilwale Dulhania Le Jayenge
(1995)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
Chupke Chupke
(1975)
Political: Center
Diversity: Low
Leans Traditional
6.7
Chandni
(1989)
Political: Center
Diversity: Low
Leans Traditional
6.9
Kal Ho Naa Ho
(2003)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Leans Traditional
8.4
Jab We Met
(2007)
Political: Center
Diversity: Low
Leans Traditional
6.7
Socha Na Tha
(2005)
Political: Center
Diversity: Low
Traditional
6.7
Vivah
(2006)
Political: Leans Right
Diversity: Low
Traditional
6.7
Yeh Vaada Raha
(1982)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
Guru
(2007)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.1
Rangeela
(1995)
Political: Center
Diversity: Low
Leans Traditional
8.3
Dil Chahta Hai
(2001)
Political: Center
Diversity: Low
Traditional
6.7
Pukar
(2000)
Political: Strong Right
Diversity: Low