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A naval officer is devastated to learn about his wife's extramarital affair with a rich businessman while he was away. He pays him a visit and shoots him to death, following which he surrenders himself but claims to be "not guilty" in the court, much to the surprise of the businessman's sister and the officers dealing with his case.
A naval officer is devastated to learn about his wife's extramarital affair with a rich businessman while he was away. He pays him a visit and shoots him to death, following which he surrenders himself but claims to be "not guilty" in the court, much to the surprise of the businessman's sister and the officers dealing with his case.
The film's central thesis explicitly promotes patriotism, national honor, and the idea that an individual's extra-legal actions can be justified and heroic when serving national security and traditional values, leading to a clearly right-wing bias.
The movie features a traditional Indian cast appropriate for its setting and cultural context, without any explicit race or gender swaps of roles. The narrative positively frames the male protagonist and does not include critical portrayals of traditional identities or explicit DEI themes.
The film is based on the real-life Nanavati case. Sylvia Nanavati, a historically British individual, is portrayed by an Indian actress (Ileana D'Cruz) as Cynthia Pavri, constituting a race swap.
The film "Rustom" does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a naval officer accused of murder following his wife's infidelity, with no elements related to queer identity or experiences.
The film 'Rustom' does not feature any identifiable transsexual characters or themes within its narrative, focusing instead on a crime thriller plot involving a naval officer.
The movie does not contain any action or adventure elements.
The film "Rustom" is based on the real-life K. M. Nanavati case. All major characters, including Rustom Pavri, Cynthia Pavri, and Vikram Makhija, maintain the same gender as their historical counterparts. No instances of a character established as one gender being portrayed as another were found.
Combines user and critic ratings from four sources