8.2
Viewer Rating
Combines user and critic ratings from four sources
Casablanca (1955)
Casablanca (1955)
Overview
This was the first attempt by Warner Brothers to make the movie classic into a series. It was part of a revolving group of shows that included Kings Row on a show called Warner Brothers Presents.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Leans Left
Diversity: Low
Judaism: Positive
Viewer Rating
8.2
Overview
This was the first attempt by Warner Brothers to make the movie classic into a series. It was part of a revolving group of shows that included Kings Row on a show called Warner Brothers Presents.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's dominant themes align with progressive values by championing anti-fascism, humanitarian aid for refugees, and personal sacrifice for a greater cause, reflecting a strong anti-authoritarian stance against tyranny.
The film features a predominantly traditional cast without explicit race or gender swaps of established roles. Its narrative frames traditional identities neutrally or positively, focusing on themes of wartime sacrifice and personal dilemmas rather than engaging in critical portrayals of traditional identities or explicit DEI themes.
Secondary
The film portrays the severe persecution faced by refugees, many of whom are Jewish, at the hands of the Nazis. The narrative unequivocally condemns this bigotry and elicits strong sympathy for the victims, aligning with the dignity of those targeted for their faith or heritage.
Casablanca, a classic 1942 romantic drama, does not include any identifiable LGBTQ+ characters or themes in its storyline. The film's narrative focuses on heterosexual romance, wartime dilemmas, and personal sacrifice, without engaging with queer identities or experiences.
Casablanca does not feature any identifiable transsexual characters or themes. The film's narrative is centered on a romantic drama set during World War II, focusing on themes of love, duty, and political conflict. Therefore, there is no portrayal to evaluate, resulting in a net impact of N/A.
The movie does not contain any action or adventure elements.
The 1955 television series "Casablanca" adapted characters from the original 1942 film. All major characters, including Rick Blaine, Ilsa Lund, and Captain Renault, retained their established genders from the source material.
Casablanca (1942) is an original film, not an adaptation or reboot. Its characters were created for this production, meaning there is no prior canonical or historical depiction of their race to be altered.
Viewer Rating Breakdown
User Ratings
6.4
10.0
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.9
Greta, the Misfit Greyhound
(1963)
Political: Center
Diversity: Low
Leans Traditional
7.2
Far From Home
(2003)
Political: Center
Diversity: Low
Leans Traditional
8.0
Brimstone, the Amish Horse
(1968)
Political: Center
Diversity: Low
Progressive
6.8
Sheepdog
(2026)
Political: Not Rated
Diversity: Not Rated
Leans Progressive
9.4
In Trousers
(1979)
Political: Strong Left
Diversity: Low
LGBTQ: Positive
Traditional
8.3
Daniel Boone: The Promised Land
(1961)
Political: Strong Right
Diversity: Low
Leans Progressive
6.8
Bound by Honor
(1993)
Political: Leans Left
Diversity: High
LGBTQ: Negative
Leans Traditional
8.1
Elmer Gantry
(1960)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Sting
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.8
Miller's Crossing
(1990)
Political: Center
Diversity: Low
Center
7.1
Recount
(2008)
Political: Leans Left
Diversity: Low
Leans Traditional
6.5
Miss Potter
(2006)
Political: Center
Diversity: Low
Leans Traditional
6.7
The Jazz Singer
(1927)
Political: Center
Diversity: Low
Leans Traditional
7.2
Apocalypto
(2006)
Political: Leans Right
Diversity: Moderate
Center
8.6
The Manchurian Candidate
(1962)
Political: Center
Diversity: Low
Center
8.3
The Long Goodbye
(1973)
Political: Leans Left
Diversity: Low
Leans Progressive
7.2
Quills
(2000)
Political: Strong Left
Diversity: Low
Leans Traditional
8.4
American Beauty
(1999)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Traditional
6.6
Memphis Belle
(1990)
Political: Leans Right
Diversity: Low
Center
7.7
The Royal Tenenbaums
(2001)
Political: Center
Diversity: Moderate