Viewer Rating
Combines user and critic ratings from four sources

Chicago P.D. (2014)
A riveting police drama about the men and women of the Chicago Police Department's District 21 who put it all on the line to serve and protect their community. District 21 is made up of two distinctly different groups: the uniformed cops who patrol the beat and go head-to-head with the city's street crimes and the Intelligence Unit that combats the city's major offenses - organized crime, drug trafficking, high profile murders and beyond.
A riveting police drama about the men and women of the Chicago Police Department's District 21 who put it all on the line to serve and protect their community. District 21 is made up of two distinctly different groups: the uniformed cops who patrol the beat and go head-to-head with the city's street crimes and the Intelligence Unit that combats the city's major offenses - organized crime, drug trafficking, high profile murders and beyond.
The show's central thesis champions aggressive, often morally ambiguous, policing as the primary solution to urban crime, aligning with 'law and order' principles despite frequent internal critiques of police corruption and ethical dilemmas.
The series features a visibly diverse ensemble cast, consistent with a contemporary urban setting, and its narratives often explore social issues relevant to diverse communities. While engaging with these themes, the show does not explicitly critique traditional identities.
Chicago P.D. features LGBTQ+ characters, including a main character's lesbian sister and her wife, whose relationship is consistently shown with normalcy and acceptance. Other storylines also handle queer identity respectfully, avoiding stereotypes. The show's overall portrayal is supportive and validating, integrating LGBTQ+ lives into the narrative without making identity a source of inherent conflict.
Chicago P.D. featured a storyline in Season 4 where a transgender woman was the victim of a hate crime. The episode handled the character's portrayal with dignity, emphasizing the tragedy of transphobic violence and the importance of seeking justice. The narrative condemned prejudice, affirming the worth of trans lives despite the tragic outcome.
Christianity is frequently depicted as a source of moral guidance, community support, or personal solace for various characters. While individual adherents may be flawed, the show's narrative generally affirms the positive aspects of the faith and its role in community life.
The show often features diverse communities and, when depicting Muslim characters or communities, tends to distinguish between the faith and extremist actions. The narrative implicitly or explicitly condemns Islamophobia, aligning with the definition of a positive portrayal where bigotry against the faith is challenged.
When Jewish characters or communities are featured, the portrayal is typically respectful, highlighting cultural traditions, community bonds, or individual faith. The narrative avoids negative stereotyping and does not present Judaism itself as problematic.
The movie does not contain any action or adventure elements.
Chicago P.D. is an original television series, not an adaptation or reboot of pre-existing material. All characters were created for the show, meaning there are no prior canonical versions whose gender could be altered.
Chicago P.D. is an original television series, not an adaptation of existing source material or a historical biopic. All characters were created for the show, meaning there are no pre-established canonical or historical racial identities to be altered. Therefore, no race swaps occur.
Combines user and critic ratings from four sources























