7.1
Viewer Rating
Combines user and critic ratings from four sources
Flowers in the Attic: The Origin (2022)
Flowers in the Attic: The Origin (2022)
Overview
After a whirlwind romance, Olivia finds herself as the mistress of the imposing Foxworth Hall, where she soon discovers that the fairy tale life she expected has quickly become a nightmare.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Christianity: Negative
Viewer Rating
7.1
Overview
After a whirlwind romance, Olivia finds herself as the mistress of the imposing Foxworth Hall, where she soon discovers that the fairy tale life she expected has quickly become a nightmare.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central thesis explicitly critiques the destructive nature of patriarchal control, systemic abuse, and the hypocrisy of traditional institutions within a wealthy family, aligning with progressive ideology.
The movie features a predominantly white cast, aligning with the source material's historical context, without explicit race or gender swaps of main roles. While the narrative critiques specific traditional male characters for their abusive actions, this is integral to the plot's gothic horror elements rather than a broad, explicit DEI-driven critique of traditional identities.
Secondary
Flowers in the Attic: The Origin features Joel Foxworth, a gay character whose loving relationship is depicted empathetically. His tragic death results from his father's extreme homophobia and abuse, which the narrative unequivocally condemns. The series portrays Joel with dignity, framing the obstacles he faces as external prejudice, thereby affirming the worth of his identity and love despite the tragic outcome.
The film depicts a rigid, hypocritical, and judgmental form of Christianity, primarily through the Foxworth family, as a tool for control, abuse, and the justification of cruel acts. The narrative consistently exposes the destructive consequences of this twisted religiosity, offering no significant counterbalancing positive portrayal.
The series "Flowers in the Attic: The Origin" does not feature any identifiable transsexual characters or themes. The narrative focuses on the Dollanganger family's complex and dark history, with no depiction of transgender identity or experiences.
The movie does not contain any action or adventure elements.
The series is a prequel to the "Flowers in the Attic" saga, focusing on the origins of the Foxworth family. All major characters, including Olivia and Malcolm Foxworth, maintain their canonically established genders from the source material and previous adaptations.
The series introduces new characters, but all established characters from the Flowers in the Attic canon maintain their original race as depicted in the source material and previous adaptations. No instances of race swapping were identified.
Viewer Rating Breakdown
User Ratings
7.2
7.1
Critic Ratings
N/A
N/A
More Like This
Progressive
7.4
Preparation for the Next Life
(2025)
Political: Leans Left
Diversity: High
Leans Progressive
9.2
In Trousers
(1979)
Political: Strong Left
Diversity: Low
LGBTQ: Positive
Progressive
8.6
Moonlight
(2016)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Progressive
7.4
Hustlers
(2019)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Progressive
6.5
Gran Turismo
(2023)
Political: Center
Diversity: High
Progressive
7.1
Dumb Money
(2023)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Center
7.8
Wonder
(2017)
Political: Center
Diversity: Moderate
Center
7.5
Molly's Game
(2017)
Political: Leans Right
Diversity: High
Progressive
8.1
Hidden Figures
(2016)
Political: Leans Left
Diversity: High
Leans Progressive
7.7
The Green Knight
(2021)
Political: Center
Diversity: High
Leans Progressive
7.1
Jules
(2023)
Political: Leans Left
Diversity: Low
LGBTQ: Positive
Leans Progressive
7.3
Joker
(2019)
Political: Leans Left
Diversity: Moderate
Progressive
6.7
King Ivory
(2025)
Political: Leans Left
Diversity: High
Progressive
7.6
Detroit
(2017)
Political: Strong Left
Diversity: High
Leans Progressive
7.0
mother!
(2017)
Political: Strong Left
Diversity: Moderate
Leans Progressive
8.7
Call Me by Your Name
(2017)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Progressive
7.7
Just Mercy
(2019)
Political: Strong Left
Diversity: High
Progressive
7.8
Wind River
(2017)
Political: Leans Left
Diversity: High
Leans Progressive
8.5
Three Billboards Outside Ebbing, Missouri
(2017)
Political: Center
Diversity: High
LGBTQ: Neutral
Progressive
8.0
Love, Simon
(2018)
Political: Leans Left
Diversity: High
LGBTQ: Positive