7.3
Viewer Rating
Combines user and critic ratings from four sources
Murder, She Wrote (1984)
Murder, She Wrote (1984)
Overview
An unassuming mystery writer turned sleuth uses her professional insight to help solve real-life homicide cases.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Viewer Rating
7.3
Overview
An unassuming mystery writer turned sleuth uses her professional insight to help solve real-life homicide cases.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The series is fundamentally apolitical, focusing on classic murder mystery tropes where individual intellect solves crimes and restores order. It consciously avoids engaging with political ideologies, instead centering on universal themes of truth, justice, and human behavior within a community.
The series 'Murder, She Wrote' primarily features traditional casting and character representation, consistent with its era and setting. Its narrative focuses on mystery-solving without critiquing or explicitly addressing traditional identities or incorporating DEI themes as central elements.
Secondary
Christianity is consistently portrayed as a respected and integral part of community life, with churches and ministers often serving as pillars of morality and social cohesion. While individual characters may exhibit flaws, the faith itself is treated with dignity, providing a backdrop of traditional values without being a central theme of critique or exploration.
Murder, She Wrote, a popular mystery series from the 1980s and 90s, did not include any discernible LGBTQ+ characters or themes. Its narrative scope did not extend to depicting queer identities, aligning with the typical television landscape of its time.
The series 'Murder, She Wrote' (1984) does not include any discernible transsexual characters or themes. Its narrative focuses on traditional mystery plots, and there is no depiction of transgender identity or related issues within its scope.
The movie does not contain any action or adventure elements.
Murder, She Wrote is an original television series, not an adaptation or reboot of pre-existing material. All characters were created for the show, establishing their canonical gender within its own narrative. Therefore, no characters were portrayed with a different gender than previously established.
As an original television series, "Murder, She Wrote" did not adapt characters from prior source material with established racial identities, nor did it depict historical figures. Therefore, no characters underwent a race swap from a previously canonical portrayal.
Viewer Rating Breakdown
User Ratings
7.3
7.5
Critic Ratings
N/A
7.1
More Like This
Leans Traditional
6.8
So Soon to Die
(1957)
Political: Center
Diversity: Low
Center
7.9
Gone Baby Gone
(2007)
Political: Center
Diversity: Low
Center
8.2
Mystic River
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Trial
(1962)
Political: Center
Diversity: Low
Center
7.5
Batman: Mask of the Phantasm
(1993)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
7.5
The Detective
(1968)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.8
Anatomy of a Murder
(1959)
Political: Center
Diversity: Low
Leans Traditional
7.0
Hail, Caesar!
(2016)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.4
The Conversation
(1974)
Political: Center
Diversity: Low
Leans Traditional
6.9
Primal Fear
(1996)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Leans Traditional
8.1
And Then There Were None
(1945)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Pledge
(2001)
Political: Center
Diversity: Low
Leans Traditional
7.3
Fallen Angel
(1945)
Political: Center
Diversity: Low
Leans Traditional
8.6
Witness for the Prosecution
(1957)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Deep End
(2001)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.7
The Last of Sheila
(1973)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.2
Far From Home
(2003)
Political: Center
Diversity: Low
Leans Traditional
8.0
Brimstone, the Amish Horse
(1968)
Political: Center
Diversity: Low
Traditional
8.3
Daniel Boone: The Promised Land
(1961)
Political: Strong Right
Diversity: Low
Leans Traditional
8.9
Greta, the Misfit Greyhound
(1963)
Political: Center
Diversity: Low