7.9
Viewer Rating
Combines user and critic ratings from four sources
Shōgun (1980)
Shōgun (1980)
Overview
An English navigator becomes both a player and pawn in complex political games in feudal Japan.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Leans Right
Diversity: Moderate
LGBTQ: Neutral
Buddhism: Positive
Christianity: Negative
Viewer Rating
7.9
Overview
An English navigator becomes both a player and pawn in complex political games in feudal Japan.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central conflict of political instability is resolved through the strategic application of traditional feudal values and the rise of a strong, cunning leader, emphasizing the importance of order, duty, and decisive authority, which aligns with right-leaning themes.
The movie features historically accurate casting for its feudal Japan setting, with no explicit race or gender swaps of traditionally white roles. While the narrative subtly critiques Western ethnocentrism and aspects of colonialism, it does not explicitly portray traditional identities negatively, focusing instead on complex historical and cultural dynamics.
Secondary
Shogun includes a minor, incidental depiction of a same-sex relationship through the character of Kiku. This portrayal is neither central nor explicitly explored, but it is presented without negative judgment, contributing to a neutral overall impact on LGBTQ+ themes.
Buddhism is depicted as a fundamental and respected aspect of Japanese society, providing a moral and philosophical foundation for its characters and culture. Its practices, temples, and the wisdom of its adherents are shown with reverence, contributing to an authentic portrayal of feudal Japan.
The film largely portrays Christianity through the lens of the Jesuit missionaries' political maneuvering, ambition, and cultural insensitivity in Japan. While individual faith is present, the institution is depicted as a disruptive, manipulative force clashing with Japanese traditions and power structures, often leading to conflict and suspicion.
The 1980 miniseries Shōgun does not feature any identifiable transsexual characters or explore related themes. Its narrative is centered on historical drama, cultural exchange, and power struggles in 17th-century Japan, with no depiction of transgender identity.
The show features several prominent female characters, including Lady Mariko, who is a samurai. However, none of these characters are depicted engaging in or winning direct physical combat against one or more male opponents using martial arts or melee weapons.
The 1980 miniseries "Shogun" adapts James Clavell's novel, which features characters based on historical figures. All major characters in the adaptation maintain the gender established in the source material and historical record.
The 1980 miniseries "Shogun" faithfully adapted James Clavell's novel, casting actors whose races aligned with the source material's established characters, both Japanese and European. No race swaps occurred.
Viewer Rating Breakdown
User Ratings
8.1
7.6
Critic Ratings
N/A
N/A
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