Viewer Rating
Combines user and critic ratings from four sources

The Idol (2023)
After a nervous breakdown derailed Jocelyn's last tour, she’s determined to claim her rightful status as the greatest and sexiest pop star in America. Her passions are reignited by Tedros, a nightclub impresario with a sordid past. Will her romantic awakening take her to glorious new heights or the deepest and darkest depths of her soul?
After a nervous breakdown derailed Jocelyn's last tour, she’s determined to claim her rightful status as the greatest and sexiest pop star in America. Her passions are reignited by Tedros, a nightclub impresario with a sordid past. Will her romantic awakening take her to glorious new heights or the deepest and darkest depths of her soul?
While the series touches on themes of exploitation and power dynamics that could be interpreted through a progressive lens, its ambiguous messaging and superficial execution prevent it from delivering a coherent ideological stance or substantive political critique, resulting in a neutral bias.
The series features a visibly diverse cast across various racial and ethnic backgrounds. Its narrative explicitly critiques power imbalances and portrays male figures in exploitative roles, highlighting themes of manipulation within the music industry.
The series portrays LGBTQ+ characters and themes within a dark and controversial narrative exploring exploitation, manipulation, and abuse in Hollywood. The depiction is intense and problematic, focusing on the darker aspects of relationships and power dynamics rather than affirming or empowering queer identity.
The series metaphorically uses Christian concepts like messianism and idolatry to critique celebrity worship, aligning with the faith's warnings against idolizing false gods.
Jewish characters are portrayed stereotypically within the music industry, drawing criticism for potentially reinforcing harmful tropes rather than engaging meaningfully with the religion.
The series *The Idol* does not feature identifiable transsexual characters or themes as central to its narrative. While a trans actor is part of the cast, their character's trans identity is not explored or developed within the show's storyline, resulting in no explicit depiction of the trans community.
The movie does not contain any action or adventure elements.
The Idol is an original series with no pre-existing source material, historical figures, or prior installments. Therefore, no characters have an established canonical or historical gender that could be altered on screen.
The Idol is an original contemporary drama series, not based on prior source material or historical figures. Its characters are new creations without pre-established racial identities, therefore no race swap has occurred.
Combines user and critic ratings from four sources























