8.7
Viewer Rating
Combines user and critic ratings from four sources
The Prisoner (1967)
The Prisoner (1967)
Overview
After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre Kafkaesque prison. His warders demand information. He gives them nothing, but only tries to escape.
Starring Cast
Where to watch
Prime VideoRating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Viewer Rating
8.7
Overview
After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre Kafkaesque prison. His warders demand information. He gives them nothing, but only tries to escape.
Starring Cast
Where to watch
Prime VideoDetailed Bias Analysis
Analyzing...
Traditional
Primary
The film critiques the erosion of individual freedom and identity by an oppressive, anonymous system, championing individual resistance and self-determination, which aligns with libertarian principles often associated with the right-leaning spectrum in modern US discourse.
The series features traditional casting predominantly with white male actors, reflecting the production norms of its era. Its narrative primarily explores themes of individual freedom versus societal control, without explicitly critiquing traditional identities or centering modern DEI themes.
Secondary
The 1967 series 'The Prisoner' does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on the protagonist's struggle against a mysterious village, exploring concepts of identity, freedom, and societal control without engaging with queer identity.
The film 'The Prisoner, 1967' does not feature any identifiable transsexual characters or themes. Its narrative centers on a former agent's confinement and psychological battle within a mysterious village, with no elements related to transsexual identity present in its plot or character arcs.
The movie does not contain any action or adventure elements.
The Prisoner (1967) is an original television series, not an adaptation of pre-existing material or a reboot of established characters. All characters were created for the show, meaning there is no prior canonical gender to compare against for a swap.
The Prisoner (1967) is an original television series, not an adaptation of prior material or based on historical figures. Therefore, its characters establish their own canonical race within the series, precluding the possibility of a race swap.
Viewer Rating Breakdown
User Ratings
8.4
7.7
Critic Ratings
10.0
N/A
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