MovieBias

See all results for ""
BrowseAnalyticsAbout

The Watcher (2022)

The Watcher poster

The Watcher (2022)

Overview

A family moves into their suburban dream home, only to discover they've inherited a nightmare.


Starring Cast


Where to watch

Netflix logoNetflix
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Center

Political: Center
Diversity: Moderate
LGBTQ: Neutral
Trans: Neutral
Christianity: Negative

Viewer Rating
6.1

Overview

A family moves into their suburban dream home, only to discover they've inherited a nightmare.


Starring Cast


Where to watch

Netflix logoNetflix
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Center

Primary

The series is a psychological thriller centered on an unsolved mystery and the unraveling of a family under duress. While it critiques aspects of suburban life and institutional effectiveness, it does not explicitly promote a specific political ideology or champion a particular solution, leading to a neutral rating.

The series features a visibly diverse supporting cast, including Black, Hispanic, and Asian characters, alongside its predominantly white main family and neighbors. The narrative subtly explores the darker aspects of traditional suburban ideals and portrays the white male protagonist with increasing vulnerability, without making explicit DEI themes central to its core mystery or critique.

Secondary

The show features several LGBTQ+ characters whose identities are presented incidentally. The son's gay identity is normalized within his family. A lesbian couple is part of the neighborhood's eccentric cast, and a main character's past same-sex relationship is implied. These portrayals are neither central to the main plot nor a source of conflict or degradation, resulting in a neutral overall impact.

The Watcher includes a minor plot point revealing that one character, John Graff, has a child who transitioned. This detail primarily serves to explain John's backstory and the familial trauma caused by his mother's prejudice, rather than exploring the transsexual character's identity directly. The portrayal is incidental, neither affirming nor denigrating.

The series portrays moralistic judgment, often with language rooted in Judeo-Christian concepts of sin and punishment, as a terrifying and invasive force. This is primarily conveyed through the antagonist's letters and the judgmental, hypocritical nature of the community, without any counterbalancing positive depiction.

The movie does not contain any action or adventure elements.

The show is a fictionalized adaptation of a true crime story. The main protagonists, Dean and Nora Brannock, maintain the same genders as their real-life counterparts, Derek and Maria Broaddus. Other characters are either new creations or fictionalized versions without established canonical genders that were subsequently changed.

The show is based on a true story, and the main family's race aligns with the real-life individuals. While new characters are introduced, there is no instance of a character canonically or historically established as one race being portrayed as a different race.


Viewer Rating Breakdown

6.1

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
6.5
The Movie Database logo
7.1

Critic Ratings

Rotten Tomatoes logo
5.4
Metacritic logo
5.4

More Like This

The Deep End poster
Leans Traditional
7.2
The Deep End
 (2001)

Political: Center
Diversity: Low
LGBTQ: Neutral
So Soon to Die poster
Leans Traditional
6.8
So Soon to Die
 (1957)
Political: Center
Diversity: Low
Contact poster
Center
7.0
Contact
 (1997)
Political: Center
Diversity: Moderate
Clockers poster
Progressive
7.0
Clockers
 (1995)
Political: Leans Left
Diversity: High
Leave the World Behind poster
Progressive
6.7
Leave the World Behind
 (2023)

Political: Leans Left
Diversity: High
LGBTQ: Neutral
Brimstone, the Amish Horse poster
Leans Traditional
8.0
Brimstone, the Amish Horse
 (1968)
Political: Center
Diversity: Low
It Comes at Night poster
Center
7.1
It Comes at Night
 (2017)
Political: Center
Diversity: Moderate
In Trousers poster
Leans Progressive
9.2
In Trousers
 (1979)

Political: Strong Left
Diversity: Low
LGBTQ: Positive
Midsommar poster
Center
7.4
Midsommar
 (2019)
Political: Center
Diversity: Moderate
The Innocents poster
Leans Traditional
8.4
The Innocents
 (1961)
Political: Center
Diversity: Low
The Pit and the Pendulum poster
Leans Traditional
7.6
The Pit and the Pendulum
 (1961)
Political: Center
Diversity: Low
The Last of Sheila poster
Leans Traditional
7.7
The Last of Sheila
 (1973)

Political: Center
Diversity: Low
LGBTQ: Neutral
The Lost Bus poster
Leans Progressive
7.2
The Lost Bus
 (2025)
Political: Leans Left
Diversity: Moderate
Missing poster
Leans Progressive
7.5
Missing
 (2023)
Political: Center
Diversity: High
Greta, the Misfit Greyhound poster
Leans Traditional
8.9
Greta, the Misfit Greyhound
 (1963)
Political: Center
Diversity: Low
Far From Home poster
Leans Traditional
7.2
Far From Home
 (2003)
Political: Center
Diversity: Low
Wind River poster
Progressive
7.8
Wind River
 (2017)
Political: Leans Left
Diversity: High
Glengarry Glen Ross poster
Leans Progressive
8.2
Glengarry Glen Ross
 (1992)
Political: Strong Left
Diversity: Low
All the President's Men poster
Leans Traditional
8.3
All the President's Men
 (1976)
Political: Center
Diversity: Low
Trance poster
Center
6.6
Trance
 (2013)
Political: Center
Diversity: Moderate
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com