9.0
Viewer Rating
Combines user and critic ratings from four sources
All About Eve (1950)
All About Eve (1950)
Overview
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Center
Diversity: Low
LGBTQ: Negative
Viewer Rating
9.0
Overview
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film focuses on the apolitical themes of individual ambition, deceit, and the cutthroat nature of the entertainment industry, offering a cautionary tale about moral compromise rather than advocating for or critiquing specific political ideologies.
The movie features a traditional cast with no explicit diversity or intentional race/gender swaps of roles. Its narrative focuses on individual ambition and power dynamics within the theater world, without explicitly critiquing traditional identities or centering on modern DEI themes.
Secondary
All About Eve features Addison DeWitt, a character widely interpreted as a coded gay man. His portrayal is negative, as his intelligence and power are intertwined with manipulative, cynical, and predatory villainy. His coded 'otherness' is linked to his negative traits, aligning with problematic stereotypes of the era without counterbalance or critique.
All About Eve (1950) does not feature any transsexual characters or themes. The narrative centers on the cutthroat world of Broadway, focusing on ambition, aging, and betrayal among its characters, without engaging with gender identity.
The movie does not contain any action or adventure elements.
All About Eve is an original screenplay from 1950, not an adaptation of pre-existing material or a biopic. All characters were created for this film, thus there is no prior canonical or historical gender to be swapped.
This film is the original screen adaptation of its source material, and its characters were not previously established as a different race in prior canon. The film's casting established the characters' races, thus no race swap occurred.
Viewer Rating Breakdown
User Ratings
8.2
8.1
Critic Ratings
9.9
9.8
More Like This
Leans Traditional
6.7
Suddenly, Last Summer
(1959)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.2
Phantom Thread
(2017)
Political: Center
Diversity: Low
Leans Traditional
8.1
Joe
(1997)
Political: Center
Diversity: Low
Leans Traditional
6.7
Manners in Public
(1958)
Political: Center
Diversity: Low
Traditional
9.0
Elisha
(1994)
Political: Leans Right
Diversity: Low
Traditional
7.1
Without Incident
(1957)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
The King of Kings
(1927)
Political: Leans Right
Diversity: Low
Leans Traditional
8.8
Boyhood
(2014)
Political: Center
Diversity: Low
Center
7.0
Jones Plantation
(2023)
Political: Strong Right
Diversity: High
Leans Traditional
7.4
Anna Karenina
(1935)
Political: Center
Diversity: Low
Leans Traditional
8.0
The Boomerang
(1919)
Political: Center
Diversity: Low
Leans Traditional
8.3
7th Heaven
(1927)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Disaster Artist
(2017)
Political: Center
Diversity: Low
Leans Traditional
7.5
News of the World
(2020)
Political: Center
Diversity: Low
Leans Traditional
7.4
A Complete Unknown
(2024)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Dressmaker from Paris
(1925)
Political: Center
Diversity: Low
Traditional
7.7
The Human Comedy
(1943)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Star!
(1968)
Political: Center
Diversity: Low
Leans Traditional
7.6
End of Watch
(2012)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.6
Piya Milan ki Aas
(1961)
Political: Center
Diversity: Low