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An American Tail: The Treasure of Manhattan Island (1998)
Fievel and his friend Tony Toponi find a map that they believe points to a treasure buried somewhere beneath Old New York, and the plucky rodent is determined to find it. However, what he discovers under the city is a tribe of Native American mice who were driven underground by prejudiced European immigrants.
Fievel and his friend Tony Toponi find a map that they believe points to a treasure buried somewhere beneath Old New York, and the plucky rodent is determined to find it. However, what he discovers under the city is a tribe of Native American mice who were driven underground by prejudiced European immigrants.
The film's central thesis explicitly promotes progressive ideology by critiquing corporate greed and the exploitation of indigenous land and culture, championing themes of anti-colonialism, environmental protection, and social justice.
The movie features an immigrant family as its central characters, providing an inherent diverse perspective. Its narrative explicitly critiques exploitative traditional power structures through a white male antagonist and centers the historical claims of an indigenous group, challenging conventional views on land and ownership.
The film's protagonists, the Mousekewitz family, represent Jewish immigrants, and their journey is portrayed with sympathy and dignity. The narrative aligns with their virtues of resilience and hope, positioning the audience to empathize with their struggles and aspirations in a new land.
The film does not contain any discernible LGBTQ+ characters or themes. Its storyline is centered on traditional adventure and friendship narratives, with no elements related to queer identity present in the plot or character arcs.
The film "An American Tail: The Treasure of Manhattan Island" does not feature any identifiable transsexual characters or themes. The narrative focuses on the adventures of Fievel Mousekewitz and his friends, with no elements related to transgender identity.
The film does not depict any scenes where a female character engages in and wins close-quarters physical combat against one or more male opponents. Female characters are present but do not participate in such combat scenarios.
The film features established characters from the 'An American Tail' series, such as Fievel and Tanya, who retain their original genders. New characters introduced do not have prior canonical genders to be swapped from.
The film primarily features anthropomorphic animal characters, for whom the concept of human racial categories does not apply. New human characters introduced do not have prior established racial identities that were altered.
Combines user and critic ratings from four sources























