5.0
Viewer Rating
Combines user and critic ratings from four sources
Around the World in 80 Days (2004)
Around the World in 80 Days (2004)
Overview
A bet pits a British inventor, a Chinese thief and a French artist on a worldwide adventure that they can circle the globe in 80 days.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Center
Diversity: High
Race Swap: Yes
Viewer Rating
5.0
Overview
A bet pits a British inventor, a Chinese thief and a French artist on a worldwide adventure that they can circle the globe in 80 days.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film primarily focuses on apolitical themes of adventure, friendship, and personal achievement, with any potential political undertones (like challenging the establishment or cultural diversity) being too subtle and universally agreeable to constitute a clear ideological bias.
The movie exhibits significant DEI, primarily driven by its casting choice to feature Jackie Chan in the traditionally white role of Passepartout. While the story takes viewers through diverse cultures and includes an antagonist representing a rigid establishment, it does not explicitly portray traditional identities negatively or center its narrative on a strong DEI critique.
Secondary
The character Passepartout, canonically a white Frenchman in the source novel, is portrayed by an East Asian actor. Additionally, the character Aouda, an Indian princess in the novel, is replaced by a white French character.
The film 'Around the World in 80 Days' (2004) does not feature any identifiable LGBTQ+ characters or themes. The narrative is solely focused on the protagonists' global adventure, resulting in no portrayal of queer identity within the story.
The film "Around the World in 80 Days" (2004) is an adventure comedy that does not include any transsexual characters or explore themes related to gender identity. Its narrative centers on the journey of Phileas Fogg and Passepartout, with no relevant portrayals.
The film features Monique La Roche as the main female character. While she is intelligent and resourceful, she does not engage in or win direct physical combat against male opponents. The action sequences primarily involve male characters in comedic martial arts scenarios.
The 2004 film adaptation introduces new characters and alters the plot but retains the canonical gender of its core characters, Phileas Fogg and Passepartout, from the original novel. No established character undergoes a gender change.
Viewer Rating Breakdown
User Ratings
5.9
5.9
Critic Ratings
3.3
4.9
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