Viewer Rating
Combines user and critic ratings from four sources

Bloody Axe Wound (2024)
Abbie Bladecut is a teenager torn between the macabre traditions of her family’s bloody trade and the tender stirrings of her first crush. In the small town of Clover Falls, Abbie’s father Roger has built an infamous legacy by capturing real-life killings on tape and selling them to eager customers, but as Abbie delves deeper into the grisly family business, she begins to wonder if it’s time to take the family tradition in a new direction.
Abbie Bladecut is a teenager torn between the macabre traditions of her family’s bloody trade and the tender stirrings of her first crush. In the small town of Clover Falls, Abbie’s father Roger has built an infamous legacy by capturing real-life killings on tape and selling them to eager customers, but as Abbie delves deeper into the grisly family business, she begins to wonder if it’s time to take the family tradition in a new direction.
The film's central thesis explicitly promotes progressive social critiques, particularly feminist concerns about systemic misogyny and gendered violence, and critiques of media exploitation, advocating for awareness and critique of these societal problems.
The movie incorporates significant Diversity, Equity, and Inclusion elements by challenging traditional gender roles through its female protagonist, featuring LGBTQ+ representation, and exploring themes of social inclusion. It critiques sexist attitudes and a rigid worldview within its narrative.
The film *Bloody Axe Wound* features a queer teenage protagonist, Abbie, whose identity and relationship with her girlfriend Sam are central to the narrative. It portrays their relationship with tenderness and normalcy, integrating queer themes into a horror-comedy to explore self-discovery and acceptance. The film offers a fresh, nuanced, and affirming depiction of queer youth within the genre.
The movie does not contain any action or adventure elements.
The film "Bloody Axe Wound" is an original story featuring new characters not based on pre-existing source material or historical figures. Therefore, no character has a prior canonical or historical gender to be swapped from.
The film is an original work, and the provided information confirms that the major characters' races were not specified in the source material. Consequently, no character was canonically established as one race and then portrayed as another.
Combines user and critic ratings from four sources























