6.8
Viewer Rating
Combines user and critic ratings from four sources
Cheyenne (1947)
Cheyenne (1947)
Overview
Slick gambler James Wylie is apprehended by the law and given the option to forgo a prison sentence if he poses as a bandit. His mission is to uncover the identity of the Poet, a notorious outlaw who has been holding up bank-owned stagecoaches and leaving verses at the crime scenes to taunt the authorities. James finds time to woo the Poet's lovely wife, Ann, who initially cold-shoulders him. But, as a romance develops, they partner up to find the robber.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Viewer Rating
6.8
Overview
Slick gambler James Wylie is apprehended by the law and given the option to forgo a prison sentence if he poses as a bandit. His mission is to uncover the identity of the Poet, a notorious outlaw who has been holding up bank-owned stagecoaches and leaving verses at the crime scenes to taunt the authorities. James finds time to woo the Poet's lovely wife, Ann, who initially cold-shoulders him. But, as a romance develops, they partner up to find the robber.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central conflict revolves around an individual's mission to restore law and order against criminal elements, championing individual responsibility and action as the solution. This emphasis on individual agency and the upholding of justice subtly aligns with right-leaning values.
This 1947 Western features a cast primarily composed of white actors, reflecting the traditional casting practices of its era without intentional race or gender swaps for established roles. The narrative centers on white protagonists, portraying traditional identities in a neutral or positive light, and does not incorporate explicit critiques of these identities or strong DEI themes as central to its plot.
Secondary
The film 'Cheyenne' (1947) is a traditional Western that does not include any discernible LGBTQ+ characters or themes. Its narrative centers on crime, justice, and romance typical of its genre and era, with no elements related to queer identity.
The 1947 Western film 'Cheyenne' does not include any transsexual characters or themes. Its narrative focuses on a lawyer tracking a stagecoach robber, aligning with typical genre conventions of its era without addressing transgender identity.
The movie does not contain any action or adventure elements.
Cheyenne (1947) is an original Western film, not an adaptation of pre-existing material with established characters. All characters were created for this specific film, thus no gender swaps occurred from prior canon or historical records.
The film "Cheyenne" (1947) features original characters created for this specific movie. There is no prior source material, historical record, or previous installment establishing the race of its characters before this film's production.
Viewer Rating Breakdown
User Ratings
6.5
7.0
Critic Ratings
N/A
N/A
More Like This
Traditional
7.0
The Tall Men
(1955)
Political: Leans Right
Diversity: Low
Traditional
8.1
Old Yeller
(1957)
Political: Leans Right
Diversity: Low
Traditional
7.7
Old Henry
(2021)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
The Magnificent Seven
(1960)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
The War Wagon
(1967)
Political: Center
Diversity: Low
Leans Traditional
7.1
Twins of Suffering Creek
(1920)
Political: Center
Diversity: Low
Traditional
8.3
Winchester '73
(1950)
Political: Leans Right
Diversity: Low
Traditional
6.8
The Cowboys
(1972)
Political: Leans Right
Diversity: Low
Traditional
7.5
Pale Rider
(1985)
Political: Leans Right
Diversity: Low
Traditional
7.7
Seven Brides for Seven Brothers
(1954)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
The Looney, Looney, Looney Bugs Bunny Movie
(1981)
Political: Center
Diversity: Low
Leans Traditional
8.7
The Man Who Shot Liberty Valance
(1962)
Political: Center
Diversity: Low
Leans Traditional
7.0
Cat Ballou
(1965)
Political: Center
Diversity: Low
Traditional
7.8
High Plains Drifter
(1973)
Political: Leans Right
Diversity: Low
Traditional
7.9
True Grit
(1969)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Breakheart Pass
(1975)
Political: Center
Diversity: Low
Leans Traditional
6.7
Maverick
(1994)
Political: Center
Diversity: Low
Traditional
7.3
Open Range
(2003)
Political: Leans Right
Diversity: Low
Leans Traditional
9.0
The Treasure of the Sierra Madre
(1948)
Political: Center
Diversity: Low
Leans Traditional
7.2
A Big Hand for the Little Lady
(1966)
Political: Center
Diversity: Low