Viewer Rating
Combines user and critic ratings from four sources
Animation, Action, Science Fiction • 1994 • 48 min

The second Broly film drops the legendary Super Saiyan back onto Earth for another round of planet-threatening destruction, this time against a younger cast including Gohan and Goten. At 48 minutes, it is a focused action piece with little room for ideology. The story leans on father-son legacy, biological bonds, and a developing heterosexual romance, all of which align loosely with traditional family values. Beyond that, the film carries no political framing, no social commentary, and no identity-politics subtext. It is a Japanese animated action film doing exactly what it advertises. Signals in all directions are either absent or mild, which puts the label squarely at Neutral.
Masako Nozawa • Mayumi Tanaka • Takeshi Kusao
The second Broly film drops the legendary Super Saiyan back onto Earth for another round of planet-threatening destruction, this time against a younger cast including Gohan and Goten. At 48 minutes, it is a focused action piece with little room for ideology. The story leans on father-son legacy, biological bonds, and a developing heterosexual romance, all of which align loosely with traditional family values. Beyond that, the film carries no political framing, no social commentary, and no identity-politics subtext. It is a Japanese animated action film doing exactly what it advertises. Signals in all directions are either absent or mild, which puts the label squarely at Neutral.
Masako Nozawa • Mayumi Tanaka • Takeshi Kusao
The film's narrative centers on an apolitical conflict of good versus evil, where heroes must use physical strength and cooperation to overcome a destructive force. It does not engage with specific political ideologies or societal critiques.
The movie features a cast of fictional characters consistent with its anime origins, without explicit real-world racial or gender recasting. Its narrative focuses on traditional heroic archetypes and action, without critiquing or explicitly promoting DEI themes.
The film portrays family primarily through the lens of biological bonds and legacy, with a strong emphasis on the father-son dynamic and a wholesome, developing heterosexual romance. While not the central theme, these elements are consistently depicted positively and align with traditional family norms.
The film Dragon Ball Z: Broly - Second Coming does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on action and conflict, with all character relationships and identities presented within conventional heteronormative contexts. Therefore, there is no LGBTQ+ portrayal to evaluate.
The film Dragon Ball Z: Broly - Second Coming does not feature any identifiable transsexual characters or themes. The narrative focuses on action and character development within the established Dragon Ball Z universe, without exploring gender identity or transition. There are no plot points or character arcs related to transsexual experiences present in the movie.
The film features Videl, a female martial artist, but she does not engage in or win any direct physical combat against male opponents. Other female characters are present but do not participate in combat roles.
All established characters in Dragon Ball Z: Broly - Second Coming maintain their canonical genders as depicted in the original manga and prior animated series. No character widely established as one gender is portrayed as a different gender in this film.
The animated film features established characters from the Dragon Ball Z franchise. All characters, whether human or alien species, are depicted consistently with their canonical appearances and established races from the source material and prior installments.
Not depicted in the film.
Combines user and critic ratings from four sources






















