6.6
Viewer Rating
Combines user and critic ratings from four sources
Hawaii (1966)
Hawaii (1966)
Overview
Abner Hale, a rigid and humorless New England missionary, marries the beautiful Jerusha Bromley and takes her to the exotic island kingdom of Hawaii, intent on converting the natives. But the clash between the two cultures is too great and instead of understanding there comes tragedy.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Leans Left
Diversity: Moderate
Race Swap: Yes
Christianity: Negative
Viewer Rating
6.6
Overview
Abner Hale, a rigid and humorless New England missionary, marries the beautiful Jerusha Bromley and takes her to the exotic island kingdom of Hawaii, intent on converting the natives. But the clash between the two cultures is too great and instead of understanding there comes tragedy.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film receives a Left-Leaning rating because its dominant themes align with progressive values, primarily through its critical depiction of Western colonialism, religious fundamentalism, and the devastating impact these forces had on indigenous Hawaiian culture.
The movie features a visibly diverse cast, including native Hawaiian characters alongside Western roles, reflecting its historical setting. The narrative explores the complex impact of Western culture and missionary efforts on indigenous society, offering a nuanced perspective on traditional identities and the consequences of cultural clash.
Secondary
Keeoki, a significant character in the source novel established as a Hawaiian prince, is portrayed by a white actor in the 1966 film adaptation. This constitutes a race swap.
The film critically depicts the rigid, often hypocritical, and culturally destructive aspects of Calvinist missionary efforts in Hawaii. While acknowledging the missionaries' conviction, the narrative highlights the devastating impact of their zeal on the native culture and traditions.
The film "Hawaii" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on 19th-century American missionaries in Hawaii and their interactions with the native culture, without incorporating queer identities or storylines.
The film "Hawaii" (1966) does not feature any transsexual characters or themes. Its narrative centers on historical events concerning missionaries in the 19th century, with no elements related to transgender identity or experiences.
The film "Hawaii" is a historical drama centered on missionaries and cultural interactions in the 19th century. It does not feature any female characters engaging in or winning close-quarters physical combat against male opponents. Female roles are not depicted as combatants.
The 1966 film "Hawaii" is an adaptation of James A. Michener's novel. All major characters, such as Reverend Abner Hale and Jerusha Bromley Hale, maintain their established genders from the source material in the film adaptation.
Viewer Rating Breakdown
User Ratings
6.5
6.3
Critic Ratings
7.0
N/A
More Like This
Leans Progressive
7.5
Queen Christina
(1934)
Political: Leans Left
Diversity: Low
LGBTQ: Positive
Progressive
6.9
Hostiles
(2017)
Political: Leans Left
Diversity: High
Leans Progressive
6.7
Big Miracle
(2012)
Political: Leans Left
Diversity: Moderate
Progressive
6.7
Spirit: Stallion of the Cimarron
(2002)
Political: Strong Left
Diversity: High
Leans Progressive
6.7
The Lion King II: Simba's Pride
(1998)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.7
The New World
(2005)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.4
Spartacus
(1960)
Political: Strong Left
Diversity: Moderate
LGBTQ: Negative
Leans Progressive
9.7
Wall-E
(2008)
Political: Strong Left
Diversity: Moderate
Leans Progressive
6.6
Snowden
(2016)
Political: Strong Left
Diversity: Low
Center
7.9
A Beautiful Day in the Neighborhood
(2019)
Political: Center
Diversity: Moderate
Leans Progressive
6.6
Respect
(2021)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.7
Call Me by Your Name
(2017)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
8.1
The Brutalist
(2024)
Political: Strong Left
Diversity: Moderate
Leans Progressive
6.6
The Inventor
(2023)
Political: Strong Left
Diversity: Moderate
Progressive
8.2
Judas and the Black Messiah
(2021)
Political: Strong Left
Diversity: High
Leans Progressive
8.2
The Zone of Interest
(2023)
Political: Leans Left
Diversity: Moderate
Progressive
7.1
Dumb Money
(2023)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Progressive
8.1
The Shape of Water
(2017)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Progressive
6.6
Gladiator II
(2024)
Political: Not Rated
Diversity: Not Rated
Leans Progressive
7.7
The Green Knight
(2021)
Political: Center
Diversity: High